Negracha (arr. W. Sabatier for cello and chamber ensemble) (03 min. 27 sec.) / Pugliese -- Viaje de bodas (version for cello and bandoneon) (03 min. 24 sec.) / Piazzolla -- Maria de Buenos Aires, Part I: Yo soy María (arr. for voice, cello and chamber ensemble) (03 min. 14 sec.) / Piazzolla -- Fuga y Misterio (arr. W. Sabatier for cello and chamber ensemble) (03 min. 56 sec.) / Piazzolla -- Vayamos al Diablo (arr. W. Sabatier cello and chamber ensemble) (02 min. 19 sec.) / Piazzolla -- Las 4 Estaciones porteñas (The Four Seasons): Otoño porteño (arr. W. Sabatier for cello and chamber ensemble) (06 min. 20 sec.) / Piazzolla -- Milonga for Three: I. — (arr. W. Sabatier for piano) (02 min. 19 sec.) / Piazzolla -- Milonga for Three: II. — (arr. W. Sabatier for cello and chamber ensemble) (05 min. 59 sec.) / Piazzolla -- I. Harawi (05 min. 34 sec.) / Ginastera -- II. Wayno karnavalito (03 min. 12 sec.) / Ginastera -- I. Lento rubato (01 min. 31 sec.) / Ginastera -- II. Allegro (02 min. 29 sec.) / Ginastera -- III. Lento ed esaltato (03 min. 23 sec.) / Ginastera -- IV. Allegro vivace (01 min. 54 sec.) / Ginastera -- Milonga sin Palabras (arr. W. Sabatier for cello and chamber ensembe) (05 min. 27 sec.) / Piazzolla -- I. — (03 min. 23 sec.) / Piazzolla -- II. — (03 min. 25 sec.) / Piazzolla -- La Muerte del Ángel (arr. W. Sabatier for cello and chamber ensemble) (03 min. 29 sec.) / Piazzolla -- Oblivion (arr. W. Sabatier for voice, cello and chamber ensemble) (04 min. 27 sec.) / Piazzolla -- Volver (arr. J. Mosalini for cello and bandoneon) (05 min. 56 sec.) / Gardel -- Desde el alma (arr. J. Mosalini for cello, double bass and bandoneon) (03 min. 42 sec.) / Melo -- Nocturna (arr. J. Mosalini for cello, double bass and bandoneon) (03 min. 38 sec.) / Plaza -- La Zafrera (arr. T. Bordalejo for cello and guitar) (03 min. 33 sec.) / Sosa -- No. 1. Canción al arbol del olvido (Song of the Tree of Forgetfulness) (02 min. 51 sec.) / Ginastera -- No. 2. Cancion a la luna lunanca (01 min. 47 sec.) / Ginastera -- La Cumparsita (arr. T. Bordalejo for cello and guitar) (06 min. 49 sec.) / Matos Rodríguez

Act I: Sinfonia (03 min. 39 sec.) / Salieri -- Act I Scene 1: Introduction: Cantiam lodi al gran Cublai (Chorus, Cublai, Orcano, Posega) (02 min. 53 sec.) / Salieri -- Act I Scenes 1-2: Recitative: Orcan, tu che hai il mirabile criterio - Posega! Sire (Cublai, Posega, Orcano) (02 min. 11 sec.) / Salieri -- Act I Scene 2: Aria: Nei fasti del mondo (Posega) (02 min. 39 sec.) / Salieri -- Act I Scene 3: Recitative: Signor? Che vuoi? (Orcano, Cublai, Alzima) (NaN min. NaN sec.)(18 sec.) / Salieri -- Act I Scene 3: Recitative and Quartet: Signor. Attendi - Dal Gange ai regni Eoi (Alzima, Orcano, Cublai, Timur) (04 min. 42 sec.) / Salieri -- Act I Scene 3: Aria: Vien qua, figliuola mia (Cublai) (02 min. 56 sec.) / Salieri -- Act I Scene 4: Recitative: Ascolta, Orcan (Timur, Orcano, Alzima) (NaN min. NaN sec.)(57 sec.) / Salieri -- Act I Scene 4: Aria: Sono un buon uomo (Orcano) (01 min. 26 sec.) / Salieri -- Act I Scene 5: Recitative and Duet: Alzima … Che vuoi dir? - Deh perchè mi guardi (Alzima, Timur) (06 min. 26 sec.) / Salieri -- Act I Scenes 6-7: Recitative: Ben tornato, Timur - Questo giovine in sostanza (Bozzone, Timur) (03 min. 10 sec.) / Salieri -- Act I Scene 7: Cavatina: La ragione è un non so che ognun tira come può (Bozzone) (01 min. 47 sec.) / Salieri -- Act I Scene 8: Cavatina: Più dell'argento (Memma, Bozzone) (03 min. 25 sec.) / Salieri -- Act I Scene 8: Recitative: Buon dì, Memma (Bozzone, Memma) (02 min. 37 sec.) / Salieri -- Act I Scene 8: Cavatina: Lungi la speme - Recitative: Oh, oh! questo è un pò forte (Memma, Bozzone) (NaN min. NaN sec.)(28 sec.) / Salieri -- Act I Scene 8: Trio: Olà, Cublai (Memma, Bozzone, Cublai) (02 min. 10 sec.) / Salieri -- Act I Scene 8: Recitative: Via, Memma, sii buonina (Memma, Cublai, Bozzone) (01 min. 45 sec.) / Salieri -- Act I Scene 8: Cavatina: Con tuon sì feroce (Memma) (01 min. 56 sec.) / Salieri -- Act I Scene 8: Recitative: Via, veniamo una volta alla conclusion (Cublai, Memma, Bozzone) (01 min. 53 sec.) / Salieri -- Act I Scene 8: Trio: Non vuoi la barba? (Cublai, Memma, Bozzone) (02 min. 19 sec.) / Salieri -- Act I Scene 9: Recitative: Son scene con costor (Bozzone) (NaN min. NaN sec.)(53 sec.) / Salieri -- Act I Scene 9: Aria: Della lor sorte nemica (Bozzone) (03 min. 06 sec.) / Salieri -- Act I Scene 10: Recitative: Invano dunque in questo imbecile garzon (Posega) (NaN min. NaN sec.)(54 sec.) / Salieri -- Act I Scene 10: Cavatina: Cavallo, cavallo (Lipi) (NaN min. NaN sec.)(59 sec.) / Salieri -- Act I Scene 10: Recitative: Oh Posega, Posega! (Lipi, Posega) (01 min. 04 sec.) / Salieri -- Act I Scene 10: Cavatina: Non ti fidar di femmina (Posega, Lipi) (01 min. 06 sec.) / Salieri -- Act I Scenes 10-11: Recitative: Oh capita! Capisco - Quegli è lo sposo? (Lipi, Posega, Alzima, Orcano) (02 min. 02 sec.) / Salieri -- Act I Scene 13: Aria: D'un insultante orgoglio (Alzima) (04 min. 57 sec.) / Salieri -- Act I Scene 14: Recitative: E quali oscuri sensi (Timur, Orcano) (01 min. 26 sec.) / Salieri -- Act I Scenes 15-18: Finale: Venite, il piè movete (All) (15 min. 36 sec.) / Salieri -- Act II Scene 1: Recitative: Sì, Timur, troppo giusto (Bozzone, Timur, Memma) (NaN min. NaN sec.)(38 sec.) / Salieri -- Act II Scene 1: Aria: Quai grazie rendere a voi poss'io (Timur) (03 min. 09 sec.) / Salieri -- Act II Scene 2: Recitative: Di questo degno principe alla sorte m'interesso (Memma, Posega, Bozzone) (01 min. 16 sec.) / Salieri -- Act II Scene 2: Trio: Via, caro Posega … (Memma, Bozzone, Posega) (02 min. 21 sec.) / Salieri -- Act II Scene 3: Recitative: E soffrir deggio inulto (Posega, Alzima) (02 min. 03 sec.) / Salieri -- Act II Scene 3: Aria: Di questa reggia indegna (Posega) (02 min. 27 sec.) / Salieri -- Act II Scene 4: Accompanied recitative: Che intesi! (Alzima) (01 min. 55 sec.) / Salieri -- Act II Scene 5: Recitative: Alzima, ebben! (Orcano, Alzima) (NaN min. NaN sec.)(43 sec.) / Salieri -- Act II Scene 5: Aria: M'inganno, se vedo (Orcano) (03 min. 24 sec.) / Salieri -- Act II Scene 6: Accompanied recitative: Orcan, che abbiam di nuovo? (Cublai, Orcano) (03 min. 33 sec.) / Salieri -- Act II Scene 6: Duet: Ranghi! Dritti! (Cublai, Orcano) (NaN min. NaN sec.)(35 sec.) / Salieri -- Act II Scene 7: Recitative: Quel Lipi … (Bozzone, Memma) (NaN min. NaN sec.)(48 sec.) / Salieri -- Act II Scene 7: Aria: Ascolta, figlia cara (Memma) (02 min. 08 sec.) / Salieri -- Act II Scene 7: Recitative: Insomma non vuoi guai (Bozzone, Memma) (NaN min. NaN sec.)(25 sec.) / Salieri -- Act II Scene 8: Quartet: Dritti! Ranghi! (Cublai, Orcano, Memma, Bozzone) (01 min. 13 sec.) / Salieri -- Act II Scene 8: Recitative: Ma non si può saper che v'è fra voi? (Memma, Orcano, Bozzone, Cublai) (03 min. 15 sec.) / Salieri -- Act II Scene 8: Quartet: Il vostro consiglio approvio ed accetto (Cublai, Memma, Orcano, Bozzone) (03 min. 38 sec.) / Salieri -- Act II Scenes 9-10: Recitative: Alzima, buone nuove - Ove vai Memma? (Memma, Alzima, Timur, Bozzone) (02 min. 02 sec.) / Salieri -- Act II Scene 10: Quartet: Ti procuro e regno e sposo (Memma, Timur, Bozzone, Alzima) (05 min. 45 sec.) / Salieri -- Act II Scene 11: Recitative: Bozzon, questa tua moglie (Alzima, Bozzone) (01 min. 42 sec.) / Salieri -- Act II Scene 11: Aria: Come il medico al polse conosce (Bozzone) (03 min. 22 sec.) / Salieri -- Act II Scene 12: Recitative: Par che l'aperto e franco favellar (Alzima) (01 min. 19 sec.) / Salieri -- Act II Scene 12: Aria: Fra i barbari sospetti (Alzima) (03 min. 39 sec.) / Salieri -- Act II Scenes 13-14: Recitative: Marcia Zuccamaluc - Alto Zuccamaluc - Per regio comando s'intima a Posega (Lipi, Posega, Orcano) (01 min. 52 sec.) / Salieri -- Act II Scene 14: Recitative: Che dice? Cos'ha? (Lipi, Posega) (NaN min. NaN sec.)(51 sec.) / Salieri -- Act II Scene 14: Duet: Misero giovine (Posega, Lipi) (02 min. 48 sec.) / Salieri -- Act II Scene 15: Recitative: Sire, tutto eseguii (Orcano, Cublai) (01 min. 41 sec.) / Salieri -- Act II Scene 16: Finale: A te avanti, o Cublai, quanto prima (All) (09 min. 04 sec.) / Salieri -- Act I Scene 13: Recitative: Alzima … Invan t'affanni (Orcano, Alzima, Timur) (01 min. 09 sec.) / Salieri -- Act I Scene 12: Recitative and Aria: Misero! - Quando a colei che adoro (Timur) (06 min. 19 sec.) / Salieri -- Act I Scene 11: Quartet: Al figlio di Cublai (Orcano, Alzima, Lipi, Posega) (03 min. 02 sec.) / Salieri

Seguida Española: IV. Andaluza (version for violin and piano) (01 min. 45 sec.) / Nin -- I. Ante el espejo (06 min. 10 sec.) / Turina -- II. La cancion del lunar (02 min. 51 sec.) / Turina -- III. Alucinaciones (04 min. 20 sec.) / Turina -- IV. El rosario en la iglesia (05 min. 30 sec.) / Turina -- I. Allegro (05 min. 43 sec.) / Rodrigo -- II. Adagio - Allegro vivace - Adagio (07 min. 18 sec.) / Rodrigo -- III. Allegro molto (03 min. 59 sec.) / Rodrigo -- El amor brujo (Love, the Magician): I. Pantomima (Pantomime) (arr. P. Kochanski for violin and piano) (03 min. 42 sec.) / Falla -- I. El pano moruno (02 min. 06 sec.) / Falla -- II. Nana (01 min. 58 sec.) / Falla -- III. Cancion (01 min. 28 sec.) / Falla -- IV. Polo (01 min. 20 sec.) / Falla -- V. Asturiana (02 min. 22 sec.) / Falla -- VI. Jota (02 min. 49 sec.) / Falla -- 12 Danzas españolas (Spanish Dances): No. 5. Andaluza (arr. F. Kreisler for violin and piano) (04 min. NaN sec.) / Granados -- I. Introduction: Allegro moderato (03 min. 11 sec.) / Sarasate -- II. Moderato (02 min. 27 sec.) / Sarasate -- IV. Allegro moderato - V. Moderato (05 min. 03 sec.) / Sarasate -- III. Lento assai (02 min. 25 sec.) / Sarasate -- 5 Canciones negras: No. 4. Canción de cuna para dormir a un negrito (version for violin and piano as Lullaby) (03 min. 04 sec.) / Montsalvatge

VI. Barcarola (04 min. 10 sec.) / Akhunov -- I. Preludio (02 min. 40 sec.) / Akhunov -- II. Giga (04 min. 11 sec.) / Akhunov -- III. Siciliana (03 min. 15 sec.) / Akhunov -- IV. Fantasia (04 min. 34 sec.) / Akhunov -- V. Macabre (01 min. 56 sec.) / Akhunov -- VII. Echo (03 min. 06 sec.) / Akhunov

Merry Christmas Mr. Lawrence (arr. for string orchestra) (04 min. 09 sec.) / Sakamoto

I. First Dance (05 min. 21 sec.) / Holst -- II. Second Dance (02 min. 53 sec.) / Holst -- III. Finale: In the Streets of the Ouled Nails (05 min. 48 sec.) / Holst -- III. Scherzo: Part II: Folly's Song (02 min. 42 sec.) / Holst -- II. Ode on a Grecian Urn (11 min. 38 sec.) / Holst -- IV. Finale (18 min. 55 sec.) / Holst -- III. Scherzo: Part I: Fancy - (03 min. 01 sec.) / Holst -- I. Song and Bacchanal (10 min. 31 sec.) / Holst -- Prelude: Invocation to Pan (04 min. 43 sec.) / Holst

Part I: Aria and Chorus: Ich will bei meinem Jesu wachen (Tenor, Chorus) (05 min. 46 sec.) / Bach -- Part I: Sind Blitze, sind Donner in Wolken verschwunden? (Chorus) (01 min. 11 sec.) / Bach -- Part II: Aria and Chorus: Ach! Nun ist mein Jesus hin (Alto, Chorus) (04 min. 37 sec.) / Bach -- Part II: Recitative and Chorus: Und der Hohepriester antwortete (Evangelist, Pontifex, Jesus, Chorus) (03 min. 46 sec.) / Bach -- Part II: Chorale: Wer hat dich so geschlagen (Chorus) (01 min. NaN sec.) / Bach -- Part II: Recitative and Chorus: Petrus aber sass draussen im Palast (Evangelist, Ancilla I, Petrus, Ancilla II, Chorus) (03 min. 06 sec.) / Bach -- Part II: Aria: Erbarme dich (Alto) (07 min. 03 sec.) / Bach -- Part II: Chorale: Bin ich gleich von dir gewichen (Chorus) (01 min. 25 sec.) / Bach -- Part II: Recitative and Chorus: Des Morgens aber hielten alle Hohepriester (Evangelist, Judas, Chorus, 2 Pontifices) (01 min. 31 sec.) / Bach -- Part II: Aria: Gebt mir meinen Jesum wieder (Bass) (03 min. 45 sec.) / Bach -- Part II: Recitative: Jesus aber stand vor dem Landpfleger (Evangelist, Pilatus, Jesus, Chorus) (01 min. 10 sec.) / Bach -- Part II: Chorale: Befiehl du deine Wege (Chorus) (01 min. 33 sec.) / Bach -- Part II: Recitative and Chorus: Auf das Fest aber hatte der Landpfleger (Evangelist, Pilatus, Uxor Pilati, Chorus) (01 min. 51 sec.) / Bach -- Part II: Chorale: Wie wunderbarlich ist doch diese Strafe (Chorus) (01 min. 08 sec.) / Bach -- Part II: Recitative: Er hat uns allen wohlgetan (Soprano) (04 min. 46 sec.) / Bach -- Part II: Recitative: Da aber Pilatus sahe, dass er nichts schaffete (Evangelist) (01 min. 37 sec.) / Bach -- Part II: Recitative: Erbarm es Gott (Alto) (NaN min. NaN sec.)(56 sec.) / Bach -- Part II: Recitative and Chorus: Da nahmen die Kriegsknechte (Evangelist, Chorus) (01 min. 08 sec.) / Bach -- Part I: Recitative and Chorale: O Schmerz! hier zittert das gequälte Herz (Tenor, Chorus) (02 min. 37 sec.) / Bach -- Part II: Recitative: Und da sie ihn verspottet hatten (Evangelist) (02 min. 55 sec.) / Bach -- Part II: Recitative: Ach Golgatha (Alto) (02 min. 01 sec.) / Bach -- Part I: Aria and Chorus: So ist mein Jesus nun gefangen (Soprano, Alto, Chorus) (02 min. 43 sec.) / Bach -- Part II: Chorale: Wenn ich einmal soll scheiden (Chorus) (02 min. 07 sec.) / Bach -- Part II: Recitative and Chorus: Und siehe da, der Vorhang im Tempel zerriss (Evangelist, Chorus) (02 min. 23 sec.) / Bach -- Part II: Recitative: Am Abend, da es kühle war (Bass) (02 min. 13 sec.) / Bach -- Part II: Recitative and Chorus: Und Joseph nahm den Leib (Evangelist, Chorus, Pilatus) (02 min. 24 sec.) / Bach -- Part II: Recitative and Chorus: Nun ist der Herr zur Ruh gebracht (Bass, Chorus, Tenor, Alto, Soprano) (02 min. 22 sec.) / Bach -- Part II: Chorale: Wir setzen uns mit Tränen nieder (Chorus) (06 min. 39 sec.) / Bach -- Part I: Recitative: Da kam Jesus mit ihnen zu einem Hofe (Evangelist, Jesus) (01 min. 49 sec.) / Bach -- Part I: Chorale: Ich will hier bei dir stehen (Chorus) (01 min. 26 sec.) / Bach -- Part I: Recitative: Petrus aber antwortete und sprach (Evangelist, Petrus, Jesus) (01 min. 03 sec.) / Bach -- Part I: Chorale: Erkenne mich, mein Hüter (Chorus) (01 min. 04 sec.) / Bach -- Part I: Recitative: Und da sie den Lobgesang gesprochen hatten (Evangelist, Jesus) (01 min. 18 sec.) / Bach -- Part I: Recitative: Da sie aber assen (Evangelist, Jesus) (02 min. 12 sec.) / Bach -- Part I: Herr, bin ich's? (Chorus) (01 min. 40 sec.) / Bach -- Part I: Recitative: Er sprach (Evangelist) - Gehet hin di die Stadt (Jesus) (01 min. 49 sec.) / Bach -- Part I: Wo willst du, dass wir dir bereiten (Chorus) (NaN min. NaN sec.)(27 sec.) / Bach -- Part I: Recitative and Chorus: Aber am ersten Tage der süssen Brot (Evangelist, Chorus, Jesus) (NaN min. NaN sec.)(14 sec.) / Bach -- Part I: Blute nur, du liebes Herz (Soprano) (04 min. 41 sec.) / Bach -- Part I: Recitative: Da ging hin der Zwölfen einer (Evangelist, Judas) (NaN min. NaN sec.)(33 sec.) / Bach -- Part I: Aria: Buss und Reu (Alto) (03 min. 29 sec.) / Bach -- Part I: Recitative: Du lieber Heiland du (Alto) (01 min. 08 sec.) / Bach -- Part I: Recitative: Da das Jesus merkete, sprach er zu ihnen (Evangelist, Jesus) (NaN min. NaN sec.)(53 sec.) / Bach -- Part I: Recitative: Und ging hin ein wenig (Evangelist, Jesus) (03 min. 15 sec.) / Bach -- Part I: Recitative: Da nun Jesus war zu Bethanien, im Hause Simonis des Aussatzigen (Evangelist) (NaN min. NaN sec.)(34 sec.) / Bach -- Part I: Ja nicht auf das Fest (Chorus) (NaN min. NaN sec.)(18 sec.) / Bach -- Part I: Recitative and Chorus: Da versammleten sich die Hohenpriester (Evangelist, Chorus, Jesus) (NaN min. NaN sec.)(32 sec.) / Bach -- Part I: Chorale: Herzliebster Jesu, was hast du verbrochen (Chorus) (01 min. 06 sec.) / Bach -- Part I: Recitative: Da Jesus diese Rede vollendet hatte (Evangelist, Jesus) (NaN min. NaN sec.)(47 sec.) / Bach -- Part I: Kommt, ihr Töchter, helft mir klagen (Chorus) (08 min. 39 sec.) / Bach -- Part I: Recitative: Zu der Stund' (Evangelist, Jesus) (01 min. 25 sec.) / Bach -- Part II: Chorale: O Haupt voll Blut und Wunden (Chorus) (03 min. 16 sec.) / Bach -- Part I: Chorale: O Mensch, bewein dein Sünde gross (Chorus) (07 min. 18 sec.) / Bach -- Part II: Recitative and Chorus: Und von der sechsten Stunde an (Evangelist, Jesus, Chorus) (02 min. 48 sec.) / Bach -- Part I: Wozu dienet dieser Unrat? (Chorus) (NaN min. NaN sec.)(34 sec.) / Bach

Euryanthe, J. 291: Overture (09 min. 15 sec.) / Weber -- Variations on a Theme by Haydn, Op. 56a, "St. Anthony Variations" (21 min. 07 sec.) / Brahms -- I. Allegro moderato (11 min. 52 sec.) / Schubert -- II. Andante con moto (12 min. 46 sec.) / Schubert -- I. Allegro con brio (08 min. 20 sec.) / Beethoven -- II. Andante con moto (11 min. 03 sec.) / Beethoven -- III. Allegro (06 min. 08 sec.) / Beethoven -- IV. Allegro (11 min. 17 sec.) / Beethoven

I. Allegro non troppo (16 min. 43 sec.) / Brahms -- II. Allegro appassionato (08 min. 24 sec.) / Brahms -- III. Andante (12 min. 24 sec.) / Brahms -- IV. Allegretto grazioso (08 min. 59 sec.) / Brahms -- Tristan und Isolde, Act I: Prelude - Act III: Isolde's Liebestod (18 min. 48 sec.) / Wagner

Die Meistersinger von Nürnberg (The Mastersingers of Nuremberg): Walthers Preislied (arr. L. Brauneiss and F. Say for voice, piano and brass quartet) (04 min. 53 sec.) / Wagner -- Extase, WWV 54 (02 min. 05 sec.) / Wagner -- La tombe dit à la rose (02 min. 19 sec.) / Wagner -- Glockentöne (03 min. 19 sec.) / Brauneiss -- No. 1. Jenes Haus (03 min. 32 sec.) / Brauneiss -- No. 2. Rosa (02 min. 01 sec.) / Brauneiss -- No. 3. Himmelreich (02 min. 04 sec.) / Brauneiss -- No. 4. Meister (01 min. 20 sec.) / Brauneiss -- No. 5. Melancholie (02 min. 38 sec.) / Brauneiss -- Polka in G Major (arr. L. Brauneiss and F. Say for trombone and tuba) (NaN min. NaN sec.)(51 sec.) / Wagner -- Albumblatt in C Major, "In das Album der Furstin Metternich" (arr. L. Brauneiss and F. Say for trombone, tuba and violin) (04 min. 43 sec.) / Wagner -- Nietzsche and Wagner, Op. 49: II. Wagner (05 min. 29 sec.) / Say -- No. 1. Kleiner Walzer (01 min. 58 sec.) / Brauneiss -- No. 2. Puzzle (01 min. 19 sec.) / Brauneiss -- No. 3. Scherzo (01 min. 23 sec.) / Brauneiss -- No. 4. Volkslied (02 min. 02 sec.) / Brauneiss -- No. 5. Finale (02 min. 09 sec.) / Brauneiss -- Lohengrin, Act III: Tale of the Grail: In fernem Land, unnahbar euren Schritten … (arr. L. Brauneiss and F. Say for voice, piano and brass quartet) (05 min. 49 sec.) / Wagner