Wesendonk Lieder: No. 5. Traume (version for solo violin and chamber orchestra) (05 min. 04 sec.) / Wagner -- Csardas (arr. A. Kullnig) (06 min. 11 sec.) / Monti -- Siegfried Idyll: Ruhig bewegt (18 min. 11 sec.) / Wagner -- I. Pantalon: Lebhaft (01 min. 35 sec.) / Chabrier -- II. L'Ete: Sehr Lebhaft (NaN min. NaN sec.)(46 sec.) / Chabrier -- III. La Poule: Massig (02 min. 12 sec.) / Chabrier -- IV. La Pastourelle: Lebhaft, doch nicht zu schnell (01 min. 04 sec.) / Chabrier -- V. Galopp: Lebhaft (01 min. 22 sec.) / Chabrier -- Ouverture zum Fliegenden Holländer, wie sie eine schlechte Kurkapelle morgens um 7 am Brunnen vom Blatt spielt (07 min. 29 sec.) / Hindemith -- 5 Gedichte für eine Frauenstimme, Op. 91, "Wesendonck-Lieder": No. 5. Traume (arr. A. Frackenpohl) (04 min. 10 sec.) / Wagner -- I. Moderato (07 min. 53 sec.) / Krenek -- II. Adagio, ma non troppo (03 min. 22 sec.) / Krenek -- III. Allegro molto (02 min. 16 sec.) / Krenek -- IV. Langsamer (02 min. 04 sec.) / Krenek -- V. Allegretto grazioso (04 min. 50 sec.) / Krenek -- VI. Allegro vivace (01 min. 18 sec.) / Krenek -- Movement, "Ruhig" (02 min. 34 sec.) / Webern

Act I: Ouverture - Albtraum 1 (05 min. 38 sec.) / Lang -- Act I: Fi Fa Fu (01 min. 49 sec.) / Lang -- Act I: Vorsingen (03 min. 10 sec.) / Lang -- Act I: [B] Ach ich (04 min. 11 sec.) / Lang -- Act I: Singing in the Bath (03 min. 08 sec.) / Lang -- Act I: [A] Dallasuapace (03 min. 11 sec.) / Lang -- Act I: Musikalische Probe (02 min. 27 sec.) / Lang -- Act I: Dalla sua pace (02 min. 29 sec.) / Lang -- Act I: Albtraum 2 (03 min. 53 sec.) / Lang -- Act I: BO Surprise (07 min. 38 sec.) / Lang -- Act I: [B] Impossibile (02 min. 46 sec.) / Lang -- Act I: Hotelsuite (02 min. NaN sec.) / Lang -- Act I: High Noon (03 min. 41 sec.) / Lang -- Act I: Hinter dem Vorhang (02 min. 57 sec.) / Lang -- Act I: Finale 1 (03 min. 05 sec.) / Lang -- Act I: Finale 1: Soave (11 min. 43 sec.) / Lang -- Applause (NaN min. NaN sec.)(29 sec.) / Lang -- Applause (NaN min. NaN sec.)(22 sec.) / Lang -- Act II: Albtraum 3, "Den Morgen zu verkunden" (04 min. 21 sec.) / Lang -- Act II: And then you will be gone… (06 min. 53 sec.) / Lang -- Act II: Ich hab mich lieb (05 min. 29 sec.) / Lang -- Act II: Jugendsunden (06 min. 08 sec.) / Lang -- Act II: Orchesterhauptprobe (06 min. 30 sec.) / Lang -- Act II: Nach dem Albtraum 4/5 (02 min. 09 sec.) / Lang -- Act II: The chairman (05 min. 45 sec.) / Lang -- Act II: More delicate than gratification is desire (09 min. 12 sec.) / Lang -- Act II: Komm lieber Mai (02 min. 06 sec.) / Lang -- Act II: Finale 2 (07 min. 17 sec.) / Lang -- Act II: Finale 2: Susser als die Erfullung - Fi Fa Fu (04 min. 09 sec.) / Lang -- Applause (01 min. 32 sec.) / Lang

I. Zerfall (29 min. 45 sec.) / Globokar -- II. Mars (29 min. 45 sec.) / Globokar -- III. Hoffnung (31 min. 58 sec.) / Globokar -- Les Otages (The Hostages) (30 min. 15 sec.) / Globokar

I. Un poco sostenuto - Allegro (17 min. 25 sec.) / Brahms -- II. Andante sostenuto (08 min. 53 sec.) / Brahms -- III. Un poco allegretto e grazioso (05 min. 02 sec.) / Brahms -- IV. Adagio - Più andante - Allegro non troppo ma con brio (17 min. 48 sec.) / Brahms -- I. Allegro non troppo (20 min. 49 sec.) / Brahms -- II. Adagio non troppo - L'istesso tempo, ma grazioso (09 min. 12 sec.) / Brahms -- III. Allegretto grazioso (quasi andantino) - Presto ma non assai (05 min. 38 sec.) / Brahms -- IV. Allegro con spirito (09 min. 45 sec.) / Brahms -- I. Allegro con brio - Un poco sostenuto (12 min. 29 sec.) / Brahms -- II. Andante (08 min. 30 sec.) / Brahms -- III. Poco allegretto (06 min. 38 sec.) / Brahms -- IV. Allegro - Un poco sostenuto (08 min. 19 sec.) / Brahms -- I. Allegro non troppo (13 min. NaN sec.) / Brahms -- II. Andante moderato (11 min. 23 sec.) / Brahms -- III. Allegro giocoso - Poco meno presto (06 min. 29 sec.) / Brahms -- IV. Allegro energico e passionato - Più allegro (10 min. 17 sec.) / Brahms

Act I Scene 1: The Calling of Moses (Moses) (08 min. 49 sec.) / Schoenberg -- Act I Scene 2: Moses meets Aaron in Waterland (Aaron, Moses) (07 min. 40 sec.) / Schoenberg -- Act I Scene 3: Moses and Aaron bring God's message to the People (Moses, Aaron, Chorus) (05 min. 54 sec.) / Schoenberg -- Act I Scene 4 (25 min. 52 sec.) / Schoenberg -- Act I: Interlude (02 min. 11 sec.) / Schoenberg -- Act II Scene 1: Aaron and the Seventy Elders before the Mountain of Revelation (Seventy Elders, Priest, Aaron) (05 min. 47 sec.) / Schoenberg -- Act II Scene 2 (06 min. 55 sec.) / Schoenberg -- Act II Scene 3: The Golden Calf and the Altar (Aaron) (26 min. 18 sec.) / Schoenberg -- Act II Scene 4 (01 min. 12 sec.) / Schoenberg -- Act II Scene 5: Moses and Aaron (Moses, Aaron) - Act III Scene 1 (11 min. 40 sec.) / Schoenberg

Le voci sottovetro: Gagliarda del Principe di Venosa (after C. Gesualdo) (01 min. 41 sec.) / Sciarrino -- Lettere poetiche: A Girolamo Meruriale, Padova (03 min. 50 sec.) -- Le voci sottovetro: Tu m'uccidi, o crudele (after C. Gesualdo) (03 min. 27 sec.) / Sciarrino -- Lettere poetiche: A Maurizio Cataneo, Roma (05 min. 01 sec.) -- Le voci sottovetro: Canzon franceses del Principe (after C. Gesualdo) (04 min. 47 sec.) / Sciarrino -- Lettere poetiche: A Giovan Battista Cavallara (02 min. 28 sec.) -- Le voci sottovetro: Moro, Lasso (after C. Gesualdo) (04 min. 41 sec.) / Sciarrino -- Infinito nero: Estasi di un atto (26 min. 39 sec.) / Sciarrino

I. — (03 min. 17 sec.) / Scelsi -- II. — (05 min. NaN sec.) / Scelsi -- III. — (03 min. 45 sec.) / Scelsi -- Anahit (13 min. 44 sec.) / Scelsi -- I. — (03 min. 41 sec.) / Scelsi -- II. — (04 min. 05 sec.) / Scelsi -- III. — (05 min. 44 sec.) / Scelsi -- I. — (02 min. 43 sec.) / Scelsi -- II. — (04 min. 07 sec.) / Scelsi -- III. — (02 min. 36 sec.) / Scelsi -- Oknagon (08 min. 33 sec.) / Scelsi

No. 1. Dead Repetitions (08 min. 31 sec.) / Lang -- No. 2. Habit (07 min. 20 sec.) / Lang -- No. 3. The Ovens (07 min. 05 sec.) / Lang -- No. 4. Image/Idea (06 min. 50 sec.) / Lang -- No. 5. Prisoners (05 min. 41 sec.) / Lang -- No. 6. Need (06 min. 35 sec.) / Lang -- No. 7. Repetition/Difference (05 min. 05 sec.) / Lang -- The Ovens Reconstruction (07 min. NaN sec.) / Lang

Mouvement ( – vor der Erstarrung) (22 min. 27 sec.) / Lachenmann -- … Zwei Gefuhle …: Musik mit Leonardo (22 min. 48 sec.) / Lachenmann -- Consolation I (08 min. 33 sec.) / Lachenmann -- Consolation II (05 min. 39 sec.) / Lachenmann

Chorale Prelude: O du froliche (Joyous Night) (Soprano, Chorus) - In the street: It was terribly cold and nearly dark on the last evening of the old year (Narrator) (07 min. 12 sec.) / Lachenmann -- Transition: In the cold and the darkness, a poor little girl (Narrator) (01 min. 56 sec.) / Lachenmann -- Part I: Frost Aria (03 min. 53 sec.) / Lachenmann -- Part II: Frost Aria: Trio and Repeat (03 min. 11 sec.) / Lachenmann -- Scherzo: Part I, "Konigin der Nacht" (Queen of the Night) (02 min. 38 sec.) / Lachenmann -- Scherzo: Part II: Schnalz-Arie (Tongue duckling aria) - Stille Nacht (Silent night) - Schnalz-Arie (Tongue duckling aria) (finish) (03 min. 06 sec.) / Lachenmann -- Two carriges: They were, indeed, so large that the poor little creature had lost them (Narrator) (NaN min. NaN sec.)(52 sec.) / Lachenmann -- The pursuit: One of the slippers she could not find, and a boy seized the other and ran away (Narrator) (03 min. 51 sec.) / Lachenmann -- Snow flakes: So the little went on with her little naked feet (Narrator) (04 min. 19 sec.) / Lachenmann -- In all the windows: Lights were shining from every window (Narrator) (10 min. 37 sec.) / Lachenmann -- Wall of the house 1: In a corner, between two houses, one of which projected beyond the other (Narrator) (09 min. 05 sec.) / Lachenmann -- Ritsch 1 (Stove): how it sputtered as it burnt! (Narrator) (03 min. 55 sec.) / Lachenmann -- Wall of the house 2: when, lo! the flame of the match went out (Narrator) - Ritsch 2: The table was covered (Narrator) - Wall of the house 3: She rubbed another match (Narrator) (01 min. NaN sec.) / Lachenmann -- Litany: Der kriminelle der Wahnsinnige der Selbsmorder (criminal, madman and suicide embody) - Write on your skin (Narrator) (07 min. 11 sec.) / Lachenmann -- Ritsch 3: She lit it another match (Narrator) (NaN min. NaN sec.)(28 sec.) / Lachenmann -- Shop: It was larger and more beautifully decorated (Narrator) - Transition: The Christmas lights rose higher and higher (Narrator) (03 min. 41 sec.) / Lachenmann -- Evening blessing: Wenn ein Stern fallt (When a star falls … ) (Soprano 1, Soprano 2) (04 min. 10 sec.) / Lachenmann -- … zwei Gefuhle … (… two feelings …) (Soprano) - Even the raging sea does not make such a roar (Narrator) (22 min. 29 sec.) / Lachenmann -- Wall of the house 4: She again rubbed a match (Narrator) (02 min. 34 sec.) / Lachenmann -- Ritsch 4 (NaN min. NaN sec.)(56 sec.) / Lachenmann -- The grandmother (01 min. 25 sec.) / Lachenmann -- Nimm mich mit (Take me with you) (02 min. 57 sec.) / Lachenmann -- Ascension: In the brightness and joy (Soprano) - She took the little girl in her arms (Narrator) (02 min. 58 sec.) / Lachenmann -- Sho (10 min. NaN sec.) / Lachenmann -- Epilogue: Aber in der kalten Morgenstunde (But in he cold dawn) (Soprano) - In the dawn of morning the poor little thing lay there (Narrator) (06 min. 12 sec.) / Lachenmann