Rude Boy (03 min. 40 sec.) / Hermansen

Act I Scene 1: Overture (04 min. 31 sec.) / Handel -- Act I Scene 1: Vain, fluctuating state of human empire! (Nitocris) (05 min. 06 sec.) / Handel -- Act I Scene 1: Thou, God most high, and Thou alone (Nitocris) (04 min. 06 sec.) / Handel -- Act I Scene 1: Recitative: The fate of Babylon, I fear, is nigh … Oh, much belov'd (Nitocris, Daniel) (01 min. 19 sec.) / Handel -- Act I Scene 1: Air: Lament not thus, O Queen, in vain! (Daniel) (04 min. 49 sec.) / Handel -- Act I Scene 1: Behold, by Persia's hero made (Chorus) (02 min. 57 sec.) / Handel -- Act I Scene 2: Well may they laugh, from meagre famine safe (Gobrias, Cyrus) (01 min. 29 sec.) / Handel -- Act I Scene 2: Aria: Oppress'd with never-ceasing grief (Gobrias) (03 min. 10 sec.) / Handel -- Act I Scene 2: Aria: Dry those unavailing tears (Cyrus) (02 min. 37 sec.) / Handel -- Act I Scene 2: Recitative: Be comforted … Methought, as on the bank … Now tell me, Gobrias (Cyrus, Gobrias) (04 min. 08 sec.) / Handel -- Act I Scene 2: Aria: Behold the monstrous human beast (Gobrias) (03 min. 16 sec.) / Handel -- Act I Scene 2: Recitative - Air: Can you then think it strange (Cyrus) (04 min. 50 sec.) / Handel -- Act I Scene 2: All empires upon God depend (Chorus) (03 min. 39 sec.) / Handel -- Act I Scene 3: Air: O sacred oracles of truth (Daniel) (05 min. 18 sec.) / Handel -- Act I Scene 3: Recitative: Rejoice, my countrymen! (Daniel) (03 min. 08 sec.) / Handel -- Act I Scene 3: Sing, O ye Heav'ns, for the Lord hath done it! (Chorus) (04 min. 35 sec.) / Handel -- Act I Scene 4: Air: Let festal joy triumphant reign (Belshazzar) (04 min. 54 sec.) / Handel -- Act I Scene 4: Recitative: For you my friends, the nobles of my court (Belshazzar, Nitocris) (01 min. 02 sec.) / Handel -- Act I Scene 4: The leafy honours of the field (Nitocris) (08 min. 18 sec.) / Handel -- Act I Scene 4: Recitative: It is the custom (Belshazzar, Nitocris) (01 min. 55 sec.) / Handel -- Act I: Recall, O King, thy rash command (Chorus) (03 min. NaN sec.) / Handel -- Act I Scene 4: Recitative: They tell you true (Nitocris, Belshazzar) (01 min. 36 sec.) / Handel -- Act I Scene 4: Duet: O dearer than my life, forbear (Nitocris, Belshazzar) (06 min. 43 sec.) / Handel -- Act I Scene 4: By slow degress the wrath of God (Chorus) (04 min. 38 sec.) / Handel -- Act II Scene 1: See, from his post Euphrates flies (Chorus) (06 min. 31 sec.) / Handel -- Act II Scene 1: Recitative: You see, my friends, a path into the city (Cyrus) (05 min. 26 sec.) / Handel -- Act II Scene 1: To arms, to arms, no more delay! (Chorus) (NaN min. NaN sec.)(30 sec.) / Handel -- Act II Scene 2: Ye tutelar gods of our empire (Chorus of Babylonians) (02 min. 56 sec.) / Handel -- Act II Scene 2: Air: Let the deep bowl … Where is the God … Help, help the king! … Call all my Wise Men (Belshazzar, Chorus) (05 min. 46 sec.) / Handel -- Act II Scene 2: Recitative: Ye sages, welcome always to your king (Belshazzar, Wise Men) (02 min. 42 sec.) / Handel -- Act II Scene 2: Oh, misery! Oh terror, hopeless grief! (Chorus of Babylonians) (01 min. 33 sec.) / Handel -- Act II Scene 2: Recitative: O king, live for ever! (Nitocris, Belshazzar) (01 min. 44 sec.) / Handel -- Act II Scene 2: Air: No, to thyself … Recitative: Oh, sentence too severe (Daniel, Nitocris) (04 min. 41 sec.) / Handel -- Act II Scene 2: Regard, O son, my flowing tears (Nitocris) (06 min. 24 sec.) / Handel -- Act II Scene 3: Air: O God of truth, O faithful guide (Cyrus) (05 min. 29 sec.) / Handel -- Act II Scene 2: O glorious prince (Chorus of Persians) (04 min. 46 sec.) / Handel -- Act III Scene 1: Air: Alternate hopes and fears distract my mind (Nitocris) (04 min. 32 sec.) / Handel -- Act III Scene 1: Fain would I hope … Can the black AEthiop change his skin (Nitocris, Daniel) (02 min. 20 sec.) / Handel -- Act III Scene 1: Recitative: My hopes revive, here Arioch comes! (Nitocris, Arioch, Messenger) (02 min. 15 sec.) / Handel -- Act III Scene 1: Bel boweth down, Nebo stoopeth! (Chorus of Jews) (01 min. 35 sec.) / Handel -- Act III Scene 2: Air: I thank thee, Sesach! … A Martial Symphony (Belshazzar) (02 min. 14 sec.) / Handel -- Act III Scene 3: Air: To pow'r immortal my first thanks are due (Gobrias) (02 min. 14 sec.) / Handel -- Act III Scene 3: Recitative: Be it thy care, good Gobrias (Cyrus) (03 min. 02 sec.) / Handel -- Act III Scene 3: Duet: Great victor, at your feet I bow (Nitocris, Cyrus) (05 min. 16 sec.) / Handel -- Act III Scene 3: Recitative: Say, venerable prophet, is there aught (Cyrus) (NaN min. NaN sec.)(49 sec.) / Handel -- Act III Scene 3: Tell it out among the heathen … Yes, I will rebuild thy city (Chorus, Cyrus) (03 min. 32 sec.) / Handel -- Act III Scene 3: I will magnify Thee, O God my king (Daniel, Nitocris, Chorus) (05 min. 34 sec.) / Handel -- Overture - Menuet (06 min. 52 sec.) / Handel -- Act I Scene 1: Accompagnato: It must be so - Air: Pour forth no more unheeded prayr's (Zebul) (06 min. 45 sec.) / Handel -- Act I Scene 1: No more to Ammon's god and king (Chorus) (02 min. 46 sec.) / Handel -- Act I Scene 2: Recitative: But Jephtha comes (Zebul, Jephtha) - Air: Virtue my soul shall still embrace (Jephtha) (05 min. 07 sec.) / Handel -- Act I Scene 2: Recitative: Twill be a painful separation - Air: In gentle murmurs will I mourn (Storge) (05 min. 55 sec.) / Handel -- Act I Scene 3: Recitative: Happy this embassy, my charming Iphis - Air: Dull delay, in piercing anguish (Hamor) (05 min. 07 sec.) / Handel -- Act I Scene 3: Recitative: Ill suits the voice of love - Air: Take the heart you fondly gave (Iphis) (04 min. 26 sec.) / Handel -- Act I Scene 3: Recitative: I go, my soul (Hamor) - Duet: These labours past, how happy we (Iphis, Hamor) (06 min. 53 sec.) / Handel -- Act I Scene 4: Recitative: What mean these doubtful fancies - Accompagnato: If, Lord, sustain'd by thy almighty pow'r - Tis said. Attend, ye Chiefs (Jephtha) (01 min. 48 sec.) / Handel -- Act I Scene 4: O God, behold our sore distress (Chorus) (04 min. 06 sec.) / Handel -- Act I Scene 5: Recitative: Some dire event hangs o'er our heads - Air: Scenes of horror, scenes of woe (Storge) (05 min. 12 sec.) / Handel -- Act I Scene 6: Recitative: Say, my dear mother (Iphis, Storge) - Air: The smiling dawn of happy days (Iphis) (04 min. 13 sec.) / Handel -- Act I Scene 7: Recitative: Such, Jephtha, was the haughty king's reply (Zebul, Jephtha) (NaN min. NaN sec.)(30 sec.) / Handel -- Act I Scene 7: When his loud voice in thunder spoke (Chorus) (04 min. 29 sec.) / Handel -- Act II Scene 1: Recitative: Glad tidings of great joy (Hamor) (01 min. 05 sec.) / Handel -- Act II Scene 1: Cherub and Seraphim, unbodied forms (Chorus) (03 min. 36 sec.) / Handel -- Act II Scene 1: Air: Up the dreadful steep ascending (Hamor) (04 min. 57 sec.) / Handel -- Act II Scene 1: Recitative: Tis well. Haste, haste, ye maidens (Iphis) (04 min. 37 sec.) / Handel -- Act II Scene 2: Recitative: Heav'n smiles once more (Jephtha) (03 min. 44 sec.) / Handel -- Act II Scene 2: Recitative: Zebul, thy deeds were valiant (Jeptha) (06 min. 30 sec.) / Handel -- Act II Scene 2: In glory high (Chorus) (02 min. 24 sec.) / Handel -- Act II Scene 3: Symphony (01 min. 23 sec.) / Handel -- Act II Scene 3: Hail, glorious conqueror! (Iphis) (04 min. 55 sec.) / Handel -- Act II Scene 3: Recitative: Horror! Confusion! (Jephtha) (04 min. 18 sec.) / Handel -- Act II Scene 3: Recitative: Why is my brother thus afflicted? (Zebul, Jephtha) (01 min. 11 sec.) / Handel -- Act II Scene 3: Accompagnato and Arioso: First perish thou - Let other creatures (Storge) (02 min. 51 sec.) / Handel -- Act II Scene 3: Recitative: If such thy cruel purpose - Air: On me let blind mistaken zeal (Hamor) (01 min. 52 sec.) / Handel -- Act II Scene 3: Quartet: O spare your daughter! (Storge, Hamor, Jephtha, Zebul) (02 min. 33 sec.) / Handel -- Act II Scene 4: Recitative: Such news flies swift - Air: Happy they! (Iphis) (05 min. 18 sec.) / Handel -- Act II Scene 4: Accompagnato: Deeper and deeper still (Jephtha) (03 min. 40 sec.) / Handel -- Act II Scene 4: How dark, O Lord, are thy decrees! (Chorus) (06 min. 43 sec.) / Handel -- Act III Scene 1: Arioso: Hide thou thy hated beams (Jephtha) (06 min. 20 sec.) / Handel -- Act III Scene 1: Accompagnato: Ye sacred priests (Iphis) (05 min. 40 sec.) / Handel -- Act III Scene 1: Doubtful fear and reverend awe (Chorus) (03 min. 07 sec.) / Handel -- Act III Scene 1: Symphony (01 min. 53 sec.) / Handel -- Act III Scene 1: Recitative: Rise, Jephtha (Angel) (05 min. 54 sec.) / Handel -- Act III Scene 1: Arioso: For ever blessed be (Jephtha) (01 min. 48 sec.) / Handel -- Act III Scene 1: Theme sublime (Chorus) (03 min. 09 sec.) / Handel -- Act III Scene 2: Recitative: Let me congratulate (Zebul) (02 min. 39 sec.) / Handel -- Act III Scene 2: Air: Sweet as sight to the blind (Storge) (02 min. 32 sec.) / Handel -- Act III Scene 2: Recitative: With transport, Iphis (Hamor) (07 min. 36 sec.) / Handel -- Act III Scene 2: Recitative: My faithful Hamor (Iphis) (05 min. 59 sec.) / Handel -- Act III Scene 2: Ye house of Gilead (Chorus) (03 min. 26 sec.) / Handel

I. Allegro con fuoco (11 min. NaN sec.) / Chopin -- II. Scherzo con moto ma non troppo (07 min. 59 sec.) / Chopin -- III. Adagio sostenuto (06 min. 03 sec.) / Chopin -- IV. Finale: Allegretto (06 min. 15 sec.) / Chopin -- I. Allegro moderato (16 min. 08 sec.) / Chopin -- II. Scherzo: Allegro con brio (05 min. 18 sec.) / Chopin -- III. Largo (03 min. 36 sec.) / Chopin -- IV. Finale: Allegro (06 min. 44 sec.) / Chopin -- Nocturne No. 20 in C-Sharp Minor, Op. posth. (04 min. 37 sec.) / Chopin

Ball dels xiquets de valls [Catalan, 1891] (arr. G. Santana) (02 min. 20 sec.) / -- Ball de l'aliga [Iglesia del Pi, Barcelona, 1756] (02 min. 16 sec.) / -- Ball dels hortolans [Breda, 1826] (arr. G. Santana) (02 min. 33 sec.) / -- Ball de l'Aguila [Catalan, early 18th Century] (arr. G. Santana) (01 min. 48 sec.) / -- Nina de mari [Iglesia del Pi, Barcelona, 1731] (arr. G. Santana) (02 min. 06 sec.) / -- Mantuana i canco (Ball de l'aliga) [Iglesia del Pi, Barcelona, 1731] (arr. G. Santana) (02 min. 50 sec.) / -- Ball angles nou - Ball angles vell [Breda, 1826] (arr. G. Santana) (02 min. 45 sec.) / -- Canco (Ball) [Barcelona, 1731] (arr. G. Santana) (01 min. 48 sec.) / -- Ball dels prims [Maials, 18th-19th Century] (arr. G. Santana) (01 min. 14 sec.) / -- Melodia i tocata de combregar solemne [Valencia, 1901] (arr. G. Santana) (01 min. 08 sec.) / -- Lo dragon [Catalan, early 18th Century] (arr. G. Santana) (01 min. 33 sec.) / -- Versos per al viatic [Iglesia del Pi, Barcelona, 1756] (02 min. 34 sec.) / -- Ball dels gegants d'Igualada [Igualada] (arr. G. Santana) (03 min. 04 sec.) / -- Viatic de Girona [Girona, 1887] (arr. G. Santana) (NaN min. NaN sec.)(52 sec.) / -- Zelosia [Minoets del siglo XVIII] (arr. U. Santana) (01 min. 17 sec.) / -- Ball de l'aliga [Libro Pastoril, Montserrat, 18th Century] (arr. G. Santana) (01 min. 26 sec.) / -- Ball de cavallets [Obra Cancionera Popular, early 20th Century] - Moros i cristians [Maials, 19th Century] (arr. G. Santana) (01 min. 33 sec.) / -- Contrapas cerda [Cerda, 19th Century] (arr. G. Santana) (03 min. 42 sec.) /

I. Maestoso (20 min. 25 sec.) / Fiala -- II. Adagio (10 min. 21 sec.) / Fiala -- III. Allegrissimo ritmico (09 min. 45 sec.) / Fiala -- I. Maestoso (07 min. 42 sec.) / Schmidt -- II. Larghetto (10 min. 40 sec.) / Schmidt -- III. Allegro vivace e molto energico (06 min. 38 sec.) / Schmidt

I. Preludio: Largo (03 min. 46 sec.) / Corelli -- II. Giga: Allegro (02 min. 50 sec.) / Corelli -- III. Adagio (NaN min. NaN sec.)(31 sec.) / Corelli -- IV. Tempo di Gavotta: Allegro (01 min. 46 sec.) / Corelli -- I. Preludio: Grave (01 min. 58 sec.) / Corelli -- II. Allemanda: Vivace (01 min. 52 sec.) / Corelli -- III. Sarabanda: Allegro (01 min. 03 sec.) / Corelli -- I. Adagio (03 min. NaN sec.) / Handel -- II. Allegro (03 min. 26 sec.) / Handel -- III. Largo (02 min. 37 sec.) / Handel -- IV. Allegro (03 min. 23 sec.) / Handel -- Duetto Concertante in D Major, Op. 6, No. 1 (04 min. 07 sec.) / Viotti -- I. Adagio (02 min. 08 sec.) / Dragonetti -- II. Allegro non tanto (04 min. 46 sec.) / Dragonetti -- I. Preludio: Largo (01 min. 33 sec.) / Corelli -- II. Corrente: Allegro (01 min. 45 sec.) / Corelli -- III. Adagio (01 min. 13 sec.) / Corelli -- IV. Allemanda: Presto (01 min. 36 sec.) / Corelli -- I. Allegro (06 min. 08 sec.) / Rossini -- II. Andante molto (03 min. 30 sec.) / Rossini -- III. Allegro (04 min. 01 sec.) / Rossini -- Violin Sonata in F Major, Op. 9, No. 4 (02 min. 55 sec.) / Corelli

Act I: Opening - Horse Duet (06 min. 35 sec.) / Torke -- Act I: Duet: Emile and Anais Sneak Off (03 min. 13 sec.) / Torke -- Act I: Solo (Ferdinand) (02 min. 12 sec.) / Torke -- Act I: Fashion Show (03 min. 14 sec.) / Torke -- Act I: Ferdinand Attempts to Play Violin - Ferdinand Makes His Exit (08 min. NaN sec.) / Torke -- Act II: First Chase (02 min. 55 sec.) / Torke -- Act II: Duet (Emile, Anais) (03 min. 55 sec.) / Torke -- Act II: Third Chase (Chez Monsieur Beaujolais) (02 min. 58 sec.) / Torke -- Act II: Duet (Felix, Virginia) (02 min. 53 sec.) / Torke -- Act II: Top of the Eiffel Tower (01 min. 30 sec.) / Torke -- Act II: Ferdinand's Apartment (05 min. 38 sec.) / Torke -- Act II: Country Folk Arrive - Surprise Gift (06 min. 42 sec.) / Torke -- Act II: Pas de deux (Ferdinand, Helene) (03 min. 58 sec.) / Torke -- Act II: Coda - Reception (04 min. 38 sec.) / Torke

Was betrubst du dich, meine Seele (Chorus) (01 min. 59 sec.) / Mendelssohn -- Denn ich wollte gern hingehen (Soprano, Chorus) (02 min. 32 sec.) / Mendelssohn -- Recitative: Meine Tranen sind meine Speise (Soprano) (NaN min. NaN sec.)(35 sec.) / Mendelssohn -- Aria: Meine Seele durstet nach Gott (Soprano) (02 min. 46 sec.) / Mendelssohn -- Wie der Hirsch schreit (Chorus) (06 min. 53 sec.) / Mendelssohn -- Recitative: Mein Gott, betrubt ist meine Seel (Soprano) (01 min. 46 sec.) / Mendelssohn -- Der Herr hat des Tages verheissen seine Gute (Soprano) (04 min. 30 sec.) / Mendelssohn -- Was betrubst du dich, meine Seele (Chorus) (04 min. 37 sec.) / Mendelssohn -- Kommt, lasst uns anbeten und knien vor dem Herrn (Tenor, Chorus) (06 min. 35 sec.) / Mendelssohn -- Kommet herzu, lasst uns dem Herrn frohlocken! (Soprano, Chorus) (05 min. 29 sec.) / Mendelssohn -- Duet: Denn in seiner Hand ist (Soprano 1, Soprano 2) (03 min. 40 sec.) / Mendelssohn -- Denn sein ist das Meer (Tenor, Chorus) (03 min. 48 sec.) / Mendelssohn -- Huet, so ihr seine Stimme horet (Tenor, Chorus) (06 min. 11 sec.) / Mendelssohn -- Nicht unserm Namen, Herr (Chorus) (06 min. 29 sec.) / Mendelssohn -- Duet: Israel hofft auf dich, du wirst sie beschutzen in Not (Soprano, Tenor) (04 min. 56 sec.) / Mendelssohn -- Aria: Er segne euch je mehr und mehr (Bass) (04 min. 20 sec.) / Mendelssohn -- Die Toten werden dich nicht loben (Chorus) (03 min. 37 sec.) / Mendelssohn -- Psalm 114, Op. 51: Da Israel aus Agypten zog (13 min. 25 sec.) / Mendelssohn -- Lass, o Herr, mich Hilfe finden (Contralto, Chorus) (04 min. 36 sec.) / Mendelssohn -- Chorale: Deines Kind's Gebet erhore (Contralto, Chorus) (01 min. 58 sec.) / Mendelssohn -- Herr, wir trau'n auf deine Gute (Contralto, Chorus) (03 min. 51 sec.) / Mendelssohn -- Fuga: Lasst sein heilig Lob uns singen (Chorus) (03 min. 17 sec.) / Mendelssohn -- Singet dem Herrn ein neues Lied (03 min. 01 sec.) / Mendelssohn -- Aller welt enden she'n (02 min. 50 sec.) / Mendelssohn -- Vor dem Herrn (02 min. 19 sec.) / Mendelssohn -- Lauda Sion Salvatorem, lauda ducem (Chorus) (04 min. 59 sec.) / Mendelssohn -- Laudis thema specialis, panis vivus et vitalis (Chorus) (02 min. 06 sec.) / Mendelssohn -- Sit laus plena, sit sonora, sit jucunda (Soprano, Chorus) (02 min. 44 sec.) / Mendelssohn -- Quartet: In hac mensa, novi Regis, novum Pascha novae legis (Soprano, Alto, Tenor, Bass) (04 min. 23 sec.) / Mendelssohn -- Docti sacris institutis, panem, vinum in salutis consecramus hostiam (Chorus) (02 min. 16 sec.) / Mendelssohn -- Caro cibus, sanguis potus: manet tamen Christus totus sub utraque specie (Soprano) (02 min. 53 sec.) / Mendelssohn -- Sumit unus, sumunt mille: quantum isti, tantum ille (Chorus) (08 min. 34 sec.) / Mendelssohn

La Unión Monetaria suscita posicionamientos y controversias no exentas, con frecuencia, de simplismos que ocultan la complejidad del proceso y sus incidencias reales en una economía como la española. Este libro, cuyo origen se encuentra en una tesis "mención Europea " defendida en Nancy y actualizado con los datos más recientes, pretende ser una contribución rigurosa y novedosa al debate. Aborda la complejidad teórica y práctica de los varios escenarios posibles y defiende la "necesidad matizada" de formar parte de dicho proyecto. Se erige contra el llamado "pensamiento único " que percibe la Unión...

Chant Concertant (14 min. 50 sec.) / Kaufmann -- I. Chant (02 min. 17 sec.) / Kaufmann -- II. Psalmodie (02 min. 03 sec.) / Kaufmann -- III. Priere (02 min. 33 sec.) / Kaufmann -- Selah (13 min. 23 sec.) / Kaufmann -- Adamah (04 min. 51 sec.) / Kaufmann -- I. — (01 min. 44 sec.) / Kaufmann -- II. — (02 min. NaN sec.) / Kaufmann -- III. — (01 min. 27 sec.) / Kaufmann -- IV. — (02 min. 26 sec.) / Kaufmann -- V. — (02 min. 02 sec.) / Kaufmann -- VI. — (01 min. 25 sec.) / Kaufmann -- VII. — (02 min. 25 sec.) / Kaufmann -- VIII. — (02 min. 04 sec.) / Kaufmann -- IX. — (01 min. 54 sec.) / Kaufmann -- X. — (01 min. 13 sec.) / Kaufmann -- L'eau retrouvee (15 min. 03 sec.) / Kaufmann