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Imagen de apoyo de  Philosophy and poetry. Architecture and art: a place between

Philosophy and poetry. Architecture and art: a place between

Por: Ivan Fernando Chaparro Mora | Fecha: 2012

By outdoing the etymological characterization of philosophy and poetry, the article outlines a comparison between architecture and art as disciplines that inform each other complexly, allowing drawing reflections about the effect the historical continuum has on material production, through the passage of time and into the traces of history. The role of the critic here is compared to that of the philosopher, as the one who gets informed from the realm of art; such relation is illustrated with the work of the German philosopher Walter Benjamin and the French poet Charles Baudelaire, as a precise dialectical account of the socio-cultural philosophy of history, during the XIX century in Paris.
Fuente: Biblioteca Virtual Banco de la República Formatos de contenido: Artículos
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Philosophy and poetry. Architecture and art: a place between

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Imagen de apoyo de  Housing for immigrants. A Settlement for Co-existence of Communities, Case study in Ibarra, Ecuador

Housing for immigrants. A Settlement for Co-existence of Communities, Case study in Ibarra, Ecuador

Por: Ana María Estrada Sánchez | Fecha: 2016

During the last decade massive immigration of people, regardless of its reason has been a new challenge for many countries around the world. People leave their homes in pursuit of safety and protection but in many cases they fail and not only do not find a new home but also unintentionally/intentionally affect the quality of the hosting country and jeopardize its vitality. On the one hand immediate (short term) effects of immigration need to be considered in order to define the structure of the emerging community and also its interaction with the existing one (hosting country). On the other hand, since there is no clear prediction for life expectancy of these communities, in long term what is left of these transitions can be very decisive for the future of the existing community. According to the United Nations refugee commission ACNUR, Latin America and the Caribbean is the third region most affected due to migration issues with 3.99 million compared with the rest Africa 13.5, Asia 20, Europe 2.6. Inside the region Colombia is the country with the highest number of people that have been displaced, and Ecuador as the host country with the biggest refugee population. Colombian farmers leave their homes in the countryside to live in the suburbs of big cities. The forced change of residence transforms the idea of own self and about the space occupied, their physical location in the place of arrival shows the precarious conditions surrounding them, lying outsourced and crumbled from this space they built for themselves and their family. This physical and emotional transit characterizes the notion of displacing, because it becomes key to understand the struggle to reinvent a place for them in the urban space where new ways of appropriation of space emerge. Such transit also brings the conflict of coexistence between newcomers and resident migrants, the territory appears as a space where they must acquire their own house and stabilize their living conditions. In this project firstly immigration and its short/long time effects on several cases will be studied. Afterwards considering the life span of these settlements (future Identity) a proposal based on integration of communities through specific arrangement of housing (based on introducing modular design) that encourage the public participation in development of the habitat, a prototype will be suggested.
Fuente: Biblioteca Virtual Banco de la República Formatos de contenido: Tesis
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Housing for immigrants. A Settlement for Co-existence of Communities, Case study in Ibarra, Ecuador

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Imagen de apoyo de  The Architecture of Rogelio Salmona: from Universality to Local Identity

The Architecture of Rogelio Salmona: from Universality to Local Identity

Por: Laura Huertas Santamaría | Fecha: 2014

Latin American countries have, since the colonization period, been strongly influenced by currents, cultural and sociological notions of Europe and North America. The process of introduction and assimilation of these aspects is slow and occurs in a very special way. This document relates this process of architecture and urban modernization in Latin American countries and more specifically in Colombia. To illustrate this process, the essay goes through the history of modernity in this country in relation to its specific socio political background and focusing in one of the most important architects of the past generation: Rogelio Salmona. Thedescription of Salmona’s architecture is done trough a research on his position as well as on the formal aspects of his oeuvre and the relation to the specific context of Bogota. Through a deep view on his notions, works and influences it is aimed to establish an importance of his oeuvre in the building of a constructive and social identity in a country with countless socio political and economical issues. Resumen: Los países latinoamericanos han conocido desde su colonización fuertes influencias de corrientes culturales y sociológicas provenientes de Europa y Norte América. El proceso de introducción y asimilación de estas ha sido lento y se ha producido en distintas formas. Este documento relata el proceso de modernización de la arquitectura y el urbanismo en países de América Latina y más específicamente en Colombia. Para ilustrar este proceso, el ensayo resume la historia del modernismo en arquitectura en Colombia, en relación con sus características sociales y políticas. Asimismo se enfoca en uno de los Arquitectos más importantes de la generación pasada: Rogelio Salmona. El recuento arquitectónico de Salmona es hecho a través de un análisis en su posición como arquitecto así como en los aspectos formales de su obra en relación con el contexto específico de la ciudad de Bogotá. A través de un análisis de sus nociones, trabajos e influencias se busca establecer la importancia de su obra en la construcción de una identidad social en un país con un sin número de problemas sociales, políticos y económicos.
Fuente: Biblioteca Virtual Banco de la República Formatos de contenido: Tesis
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The Architecture of Rogelio Salmona: from Universality to Local Identity

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Imagen de apoyo de  Materiau et forme pour rien essai critique sur l'architecture et la notion de dispositif

Materiau et forme pour rien essai critique sur l'architecture et la notion de dispositif

Por: Pablo Andrés Gómez Granda | Fecha: 2015

This Ph.D thesis examines and discusses the notion of dispositif (device) such as it emerged within the contemporary French philosophy, mainly in Michel Foucault's and Gilles Deleuze’s works. Its intention is to criticize the association in architecture of the structural and the organization, to propose an architectural practice less dedicated to the assemblages of environments, but which facilitates situations of freedom. For that purpose, this thesis studies the notions of form and function in architecture from a philosophical order reasoning on the ""material"". Three moments of a possible history on the material are considered. In the first two moments, dedicated to the concrete, and ""smart"" materials respectively, architecture appears in its connection to a mode of the industry and to a labor economy. In the third moment, it is shown how the staging and fiction can contribute to transforming materials into dispositifs. On this base, we move, on the one hand, to strip the notion of form from the functional significations that surround it, while on the other hand, we put in tension Michel Foucault's reading proposed by Giorgio Agamben, putting into context the concepts and the suggestions implied in it, in regards to economy. All this work is indissociably architectural and philosophical. Its purpose is to establish the essential character, for both domains of thought, of the notion of an aimless form or “form for nothing "". This notion can be related to an architecture of the ""discontinuity"" whose materials are neither in harmony with the structure nor the power of the dispositifs.
Fuente: Biblioteca Virtual Banco de la República Formatos de contenido: Tesis
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Materiau et forme pour rien essai critique sur l'architecture et la notion de dispositif

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Imagen de apoyo de  Fields of deformation: tracing critical boundaries in architectural practice = Campos de deformación: trazando márgenes críticos en la práctica de la arquitectura

Fields of deformation: tracing critical boundaries in architectural practice = Campos de deformación: trazando márgenes críticos en la práctica de la arquitectura

Por: Lina Fawcett V. | Fecha: 2007

If architecture has succeeded the natural impulse of evolution and demonstrated its everchanging creative power, urbanism has challenged its operationality by revealing a logic that surpasses any established concepts within the field. New urbanisms today are understood by weakening public life, changing the nature of the streets and modifying the human scale. Furthermore, the emergent post-urban life appears unmanageable due to conditions never diagnosed before: edge cities, peripheries, nodality and disarticulation seem problematic to conceptualize. What is it about the challenge of architecture capable to deploy a logic that drives urban design with a certain direction? Architecture can expand its potential design approaches through the investigation of its own rationality in order to find new sources that intersect emerging urban landscapes. The façade performs as a critical surface that articulates urban affects and provides a positive understanding of the street-grid as a persistent and flexible planning instrument along time. If the plan is not sufficient anymore, by securing its spatial hierarchies the building skin becomes significant to a contemporary discussion where architecture gains an instrument to overcome the difference. The dialogue amongst architectural design process is not reducible to a fixed set of values but to opening up its own disciplinary boundaries. It intends to rethink these borders in new terms utilizing few notions and examples that have proven as techniques of formal stability within architecture, as opposed to the diffuse and complex transformational processes of the city. Paradoxically, it is inside architecture where non-static surfaces of composition open the field to creative processes, since they are by nature given to experimentation.
Fuente: Biblioteca Virtual Banco de la República Formatos de contenido: Tesis
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Fields of deformation: tracing critical boundaries in architectural practice = Campos de deformación: trazando márgenes críticos en la práctica de la arquitectura

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El arte en los inicios de la televisión (primera parte)

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Consejos para sobrevivir

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Imagen de apoyo de  Redrawing the coast

Redrawing the coast

Por: Diego Guillermo; Huang Bermúdez Obregón | Fecha: 2015

After many years of violence and economic isolation, Colombia’s image has shifted. Several international treaties have been signed and Colombia has been targeted by new travelers and powerful international investors. A forbidden destination less than a decade ago, Colombia welcomes now more than 2 million visitors per year. This rapid economic and touristic boom provides good opportunities for growth but is having dramatic consequences for urban communities and its surrounding ecosystems. The Caribbean region of Colombia is one of the most visited regions in the country. Unfortunately, cities in the region don’t have the tools or the criteria to expand in a sustainable way in terms of competitiveness, social inclusion and urban quality. The perception of the Caribbean coast in Colombia is the one of a line. Development has occurred ignoring the immediate context, trying to imitate the image of the internationally sold Caribbean paradise, disregarding and threatening a unique environment. Along this coast, there are five natural parks. It is one of the most biodiverse spots in the globe. Half of the tourists coming to the country will visit one or two of these natural parks. Nonetheless, tourism, urban expansion and uncontrolled growth are jeopardizing the uniqueness of this region, ruining its diverse natural assets. The Caribbean coast is one of the fastest growing regions in Colombia, with an overall growth rate that will double the population by 2050. Recent growth trends suggest that new development has been rapidly taking over the coast with gated apartment towers, hotels and exclusive resorts up on the coast interrupting public access to the beach. Meanwhile, informality sprawls in the back drop, creeping up the hills, into the marshes, dangerously close to protected areas. A linear wall-city parallel to the coast is being created by these trends for short-term profits, undermining environments, increasing flood risk, promoting social instability and finally.
Fuente: Biblioteca Virtual Banco de la República Formatos de contenido: Tesis
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Redrawing the coast

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Imagen de apoyo de  Convocatoria artística 2015. Resultados de apoyos a la creación artística y para la circulación: artes plásticas y visuales, música, danza, teatro e interdisciplinar

Convocatoria artística 2015. Resultados de apoyos a la creación artística y para la circulación: artes plásticas y visuales, música, danza, teatro e interdisciplinar

Por: Red Distrital de Bibliotecas Públicas. BibloRed (Bogotá. CO) | Fecha: 2015

Compilación de proyectos destacados de la convocatoria de creación artística, donde participaron agrupaciones en las categorías de música, danza, teatro, interdisciplinar y artes plásticas y visuales. La convocatoria pertenece a las líneas de apoyo a la creación y circulación de expresiones artísticas de la Red Distrital de Bibliotecas Públicas
Fuente: BibloRed - Colección Digital Formatos de contenido: Libros
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Convocatoria artística 2015. Resultados de apoyos a la creación artística y para la circulación: artes plásticas y visuales, música, danza, teatro e interdisciplinar

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Imagen de apoyo de  Un Trayecto: formación artística para las niñas niños y jóvenes de Bogotá

Un Trayecto: formación artística para las niñas niños y jóvenes de Bogotá

Por: Programa Crea. Formación y creación artística | Fecha: 2015

Documento que reúne los primeros elementos conceptuales y pedagógicos del Programa Crea a partir de la experiencia en los procesos de formación artística desarrollados en 2013 y 2014. Los lineamientos aquí consignados constituyen el marco para el proceso de armonización solicitado por la Secretaría de Educación Distrital en 2015.
Fuente: CREA - Idartes - Proyectos Editoriales sobre la Formación Artística Formatos de contenido: Libros
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Un Trayecto: formación artística para las niñas niños y jóvenes de Bogotá

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