COMIC SUPERSTARS MARK WAID AND FIONA STAPLES CONTINUE THEIR REIMAGINING OF AN ICON! The new school year continues to bring with it daunting new challenges and interesting changes for the teens of Riverdale High. But there's one thing that remains constant: Archie's car is still a piece of garbage! With car problems comes money problems, which means that Archie's on the hunt for a new job. Fortunately, a mysterious new building in Riverdale is offering some career opportunities for Archie and his friends. Who's behind this new conglomerate and what are their intentions for Riverdale? Find out in the second issue of this all-new Archie series!

An oversized full-color edition that celebrates fifteen years of the iconic Assassins Creed video game saga! Discover the genesis of each Assassins Creed game and get an insider's look at the efforts that went into creating one the biggest franchises in the video game industry. In observance of Assassins Creeds fifteen-year anniversary, Ubisoft and Dark Horse Books have teamed up to create an extensive examination into the creation of the award-winning Assassins Creed franchise. Featuring gorgeous art from over a decade-and-a-half of development, and detailed interviews with the games past and present creators, this is the perfect companion piece for any aspiring Assassin.

13 Bar Tango (03 min. 28 sec.) / Besser -- You Got Your Wish (02 min. 29 sec.) / Besser -- Friday Tango (03 min. 28 sec.) / Besser -- Friday Night Alone (03 min. 54 sec.) / Besser -- Opening Night Tango (02 min. 54 sec.) / Besser -- A Bird Without Wings (06 min. 51 sec.) / Besser -- Lee's Tango (02 min. 21 sec.) / Besser -- Classical Challenge (03 min. 16 sec.) / Besser -- DecendinG Minors 2 (03 min. 22 sec.) / Besser -- A Man Digs a Hole (04 min. 29 sec.) / Besser -- Frida Kahlo's Tango (02 min. 37 sec.) / Besser -- Off the One (02 min. 04 sec.) / Besser -- Circle Piece (03 min. 49 sec.) / Besser -- Lament for Kate (07 min. 11 sec.) / Besser

REDISCOVER THE BEGINNINGS OF A LEGEND! Critically acclaimed European artist ERGN GNDZ rejoins legendary writer CHRISTOPHER PRIEST for an expanded reimagining of Forrest J Ackermans classic origin story in Vampirella: Year One, collecting all six issues of the original series. With framing sequences set in the present day illustrated by GIOVANNI TIMPANO, the story explores the exotic world of Drakulon, the pressures that caused Vampirella to leave, and her first days on Earth, beginning with the day of the Apollo moon landing in 1969. Lost, alone, unable to speak or read our language, Vampirella makes her first friends (Pantha, Pendragon) and runs afoul of new enemies in this multifaceted period piece that revisits the turbulent world of the original 1970s Warren stories!

This issue of ROCKETEER ADVENTURES continues to soar with a trio of stories crafted by masterful comics creators. Mark Waid and Chris Weston provide a pulse-pounding story of revenge set to a colorful backdrop of the opening of the Golden Gate Bridge, Lowell Francis and Gene Ha put Cliff through his paces in an-all action extravaganza that has him fighting tooth and nail for his very survival - plus a special guest star! Finally, Darwyn Cooke delivers the goods (as always!) with a tale that we won't say one word about - it's too good to even hint at and ruin the surprise! Plus, a pair of pin-ups, BOTH by Geof Darrow - his incredible piece was just too massive to be held to the confines of a single page, so he's supplying a gorgeous TWO-PAGE pin-up!

6 Pieces for Organ: No. 6. Scherzo (05 min. 39 sec.) / Commette -- Pièces de différents styles pour orgue, Book 3, Op. 17: No. 3. Marche funebre et chant seraphique (11 min. 57 sec.) / Guilmant -- No. 1. Piece solennelle (06 min. 15 sec.) / Ibert -- No. 2. Musette (04 min. 16 sec.) / Ibert -- No. 3. Fugue (06 min. 08 sec.) / Ibert -- Toccata (10 min. 51 sec.) / Philip -- Fugue (06 min. 31 sec.) / Philip -- No. 1. Stella Matutina (Morning Star) (05 min. 17 sec.) / Dallier -- No. 2. O clemens! O pia! (O merciful and gentle one) (05 min. 29 sec.) / Dallier -- No. 3. Monstra te esse matrem (Shown to you to be a mother) (05 min. 16 sec.) / Dallier -- No. 4. Pulchra ut Luna (Beautiful even as the moon) (05 min. 14 sec.) / Dallier -- No. 5. Electa ut Sol (Chosen even as the sun) (05 min. 34 sec.) / Dallier

No. 1. Engang (One Day): Allegretto leggiero (02 min. 05 sec.) / Langgaard -- No. 2. Allegretto (02 min. NaN sec.) / Langgaard -- No. 3. — (02 min. 01 sec.) / Langgaard -- No. 4. Sang (Song): Tranquillo (02 min. 04 sec.) / Langgaard -- I. Inflessibile mostruoso (Inflexible, monstrous) - Solenne misterioso (Solemn, mysterious) - Ignominioso e lusingando (Shameful and Tempting) (08 min. 40 sec.) / Langgaard -- II. Frenetico, quasi rondo - Più animato frenetico - Agitatio con irritazione sempre - Più frenetico - Più tranquillo lusingando - Capriccio grazioso - Sempre frenetico (06 min. 31 sec.) / Langgaard -- Albumslad I, BVN 3 (02 min. 03 sec.) / Langgaard -- Paa en Kirkegaard ved Nat (In a Churchyard at Night), BVN 22 (01 min. 56 sec.) / Langgaard -- Adorazione, BVN 223 (10 min. 43 sec.) / Langgaard -- Piano Piece in E Major, BVN 426 (02 min. 13 sec.) / Langgaard -- No. 1. Paa Rejse (Travelling) - (02 min. 58 sec.) / Langgaard -- No. 2. Mode (Meeting) (01 min. 33 sec.) / Langgaard -- No. 3. Sondag paa Kirkebakken (By the Village Church on a Sunday): Agitated (02 min. 19 sec.) / Langgaard -- No. 4. Kobjaelder i Granskoven (Cowbells in the Pinewood): Più lento - (Tempo I) - Più lento - Più con moto - A tempo I (02 min. 56 sec.) / Langgaard -- No. 5. Kafferep og Resignation (Kafferep and Resignation): Presto - Lento (01 min. 40 sec.) / Langgaard -- No. 6. Svensk (Swedish): Lively (01 min. 58 sec.) / Langgaard -- No. 7. Aeterblomster (Sweet Peas): Più con moto (02 min. 14 sec.) / Langgaard -- No. 8. Paa Tur (On Tour): Più con moto - A tempo (01 min. 50 sec.) / Langgaard -- No. 9. Afsked (Farewell): Appassionata - Con moto - Appassionata (02 min. 29 sec.) / Langgaard -- No. 10. Aften med Dans (Evening with Dancing): Allegretto tranquillo (03 min. 53 sec.) / Langgaard

III. Andante lento (02 min. 27 sec.) / Sammartini -- II. Allegro assai (02 min. 12 sec.) / Sammartini -- I. Andante (03 min. 14 sec.) / Sammartini -- IV. Allegro (02 min. 03 sec.) / Sammartini -- Act I: Aria: Batti, batti, o bel Masetto (03 min. 36 sec.) / Mozart -- Act II: Deh! vieni alla finestra, "Serenade" (01 min. 56 sec.) / Mozart -- Bardenklange, Op. 13: An die Entfernte (To My Distant One) (04 min. 15 sec.) / Mertz -- I. Nicht schnell (03 min. 41 sec.) / Schumann -- II. Einfach, innig (04 min. 09 sec.) / Schumann -- III. Nicht schnell (05 min. 10 sec.) / Schumann -- Consolazione, Op. 25 (arr. for oboe and guitar) (02 min. 42 sec.) / Coste -- Les regrets, Op. 36 (arr. for oboe and guitar) (02 min. 52 sec.) / Coste -- Le montagnard in Op. 34 (version for oboe and guitar) (09 min. 36 sec.) / Coste -- Piece en forme de habanera (arr. for oboe and guitar) (03 min. 01 sec.) / Ravel

The present research intends to go through significant contemporary productions done in the Colombian Amazon Rainforest in a time where historical changes are driving the country towards very difficult decisions. In this context, the cinematographer as an artist has a responsibility with his or her culture and society where technological choices when preoducing a film are absolutely bounded with the motives of the craft and the construction of an embracing identity that can fit all the post colonial miscegenation. After the peace agreement between the biggest guerrilla in the country and the government, is the jungle a place to protect and leave untouched? Is it there for the cinematographer with the tools of the profession to exploit its imagery? To whom is the author talking and what is his or her aim with the piece done? particularly in a place with millenary cultural heritage and one of the most important, if not the most, ecosystem in the earth to fight climate change. Technology becomes as an aesthetical and ethical decision as the place where the camera is placed. Resumen: La presente investigación tiene el propósito de revisar significativas producciones contemporáneas hechas en la selva tropical amazónica colombiana, en un tiempo en el cual cambios históricos están conduciendo al país a través de decisiones muy difíciles. En este contexto, el director o la directora de fotografía, como artista, tiene una responsabilidad con su cultura y sociedad de manera tal que sus decisiones tecnológicas a la hora de producir una película, están absolutamente vinculadas con los propósitos personales del oficio y la construcción de una identidad amplia y acogedora que incluya todo el mestizaje post colonial. Después de firmado el acuerdo de paz entre la guerrilla más grande del país y el gobierno, ¿es la jungla un lugar para proteger y mantener incólume? ¿Está autorizado el director de fotografía, con las herramientas de su profesión, a explotar sus imágenes? ¿A quién le habla el autor y cuál es su propósito con la pieza realizada? Particularmente en un espacio de herencia cultural milenario y uno de los más importantes ecosistemas en el planeta, si no el que más, para combatir el cambio climático.

Overture (05 min. 19 sec.) / Bernstein -- Christopher Street (Guide, Tourist, Villagers, Violet) (04 min. 58 sec.) / Bernstein -- Ohio (Ruth, Eileen) (03 min. 29 sec.) / Bernstein -- Conquering New York (Ruth, Chorus) (03 min. 52 sec.) / Bernstein -- One hundred easy ways to lose a man (Ruth) (03 min. 22 sec.) / Bernstein -- What a waste (Baker, Ruth, First Editor, Second Editor) (03 min. 07 sec.) / Bernstein -- A little bit in love (Eileen) (02 min. 58 sec.) / Bernstein -- Pass the football (Wreck) (03 min. 46 sec.) / Bernstein -- Conversation piece (Eileen, Frank, Ruth, Chick) (03 min. 48 sec.) / Bernstein -- A quiet girl (Baker, Men's Chorus) (03 min. 38 sec.) / Bernstein -- Conga! (Cadet, Ruth, Cadets) (03 min. 36 sec.) / Bernstein -- Entr'acte (03 min. 54 sec.) / Bernstein -- My darlin' Eileen (Lonigan, Men's Chorus, First Cop, Second Cop, Third Cop, Eileen) (03 min. 33 sec.) / Bernstein -- Swing! (Villager, Ruth, Chorus, First Man, Second Man, First Girl, Second Girl) (05 min. 14 sec.) / Bernstein -- Quiet Incidental (Eileen, Ruth) (NaN min. NaN sec.)(49 sec.) / Bernstein -- Ohio (reprise) (Eileen, Ruth) (01 min. 25 sec.) / Bernstein -- It's Love (Eileen, Baker, Chorus) (03 min. 33 sec.) / Bernstein -- Ballet at the Village Vortex (02 min. 28 sec.) / Bernstein -- The Wrong Note Rag (Ruth, Eileen, Chorus) (02 min. 25 sec.) / Bernstein -- It's Love (reprise) - Finale (Eileen, Baker, Ruth, Chorus) (01 min. 23 sec.) / Bernstein