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Office worker Emiko Tamaki has become more optimistic ever since she began modeling for the awkward but self-assured artist Shunsui Ishihara. With a budding awareness that she's the subject of his gaze, Tamaki has a new spring in her step and puts effort into being a better model for Ishihara--not realizing it makes him worry! And inspired by her, Ishihara branches out and takes on new artistic challenges...but is he prepared for the changes tied to his recent work?
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Friday at the Atelier, Vol 2
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Bizenghast Vol #1
Meet Dinah, a disturbed young girl who has been sent to the small town of Bizenghast to live with her aunt following the tragic death of her parents. Dinah thinks her aunt's house is haunted, but her aunt thinks she has some sort of mental illness. Dinah sneaks out with her only friend, Vincent, and together they discover a lost graveyard where Dinah reads from a stone engraving. This act binds her to a contract requiring Dinah to release spirits stuck somewhere between life and the afterlife. So Dinah begins her quest of "cleaning" the vaults, crypts and graves of lost souls, while struggling with the haunts at home and suspicions of her growing mental illness.
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Bizenghast Vol #1
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Bizenghast Vol #2
Armed with the first of the four tower guards, Dinah and Vincent set out to solve the rest of the Mausoleum's riddles, which prove more difficult as the journey progresses. The deceptive puzzles of Bizenghast's Graveyard lead the children to an ancient seaside to stop a drowned girl's murderous rampage. Later, they travel through Bizenghast's early past to rid the woods of a festering plague-carrier. And finally, they come face to face with the mysterious second tower guard, Edrear.
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Bizenghast Vol #2
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Bizenghast Vol #3
Dinah finally understands why Vincent is sacrificing himself for her. She must confront her innermost emotions if she plans on freeing all the spirits locked in the Mausoleum and saving him. As time quickly disappears and the riddles become harder to solve, Dinah realizes she may lose her closest friend.
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Bizenghast Vol #3
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Friday at the Atelier, Vol 1
Tamaki, a woman who's grown tired with her life, is one day asked by the famous painter Shunsui Ishihara to become his model. Not just any model, that is--a nude model. But when she accepts without hesitation, Ishihara is taken by her peculiar response and somehow falls for her...!" The misaligned love life between an oblivious girl and a handsome but extremely self-conscious artist begins here!?
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Friday at the Atelier, Vol 1
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She Loves to Cook, and She Loves to Eat, Vol 4
After their curry party, Kasuga and Nomoto have grown closer than ever before. Now that they have both recognized the nature of the feelings they hold, and with Valentine's Day coming up, will they be able to successfully express it to each other"
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She Loves to Cook, and She Loves to Eat, Vol 4
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(H)afrocentric Comics
Glyph Award winner Juliana "Jewels" Smith and illustrator Ronald Nelson have created an unflinching visual and literary tour-de-force on the most pressing issues of the day-- including gentrification, police violence, and the housing crisis--with humor and biting satire. (H)afrocentric tackles racism, patriarchy, and popular culture head-on. Unapologetic and unabashed, (H)afrocentric introduces us to strong yet vulnerable students of color, as well as an aesthetic that connects current Black pop culture to an organic reappropriation of hip hop fashion circa the early 90s. We start the journey when gentrification strikes the neighborhood surrounding Ronald Reagan University. Naima Pepper recruits a group of disgruntled undergrads of color to combat the onslaught by creating and launching the first and only anti-gentrification social networking site, mydiaspora.com. The motley crew is poised to fight back against expensive avocado toast, muted Prius cars, exorbitant rent, and cultural appropriation. Whether Naima and the gang are transforming social media, leading protests, fighting rent hikes, or working as "Racial Translators," the students at Ronald Reagan University take movements to a new level by combining their tech-savvy, Black Millennial sensibilities with their individual backgrounds, goals, and aspirations.
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(H)afrocentric Comics
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Total Suplex of the Heart
Glowing up isn't the same as growing up. 1 VOLUME RELEASED - INDEPENDENT STORIES. Georgie is fresh out of school, working grunt assignments freelancing as a journalist, henpecked by her demanding mother, and unsure where to go or what to do. That is, until she gets the idea to go undercover for a piece on the local hardcore wrestling scene. Quickly swept up in the drama both in and out of the ring, with new friendships and potential romance, she's riding the wave of attention that temporarily silences her own insecurities. But as girl fights, casual hook-ups, and creepy older men begin to dominate her days, Georgie has to ask herself who really holds the power in her life. An unflinchingly honest coming-of-age tale inspired in part by the real pro-wrestling experiences of writer Joanne Starer (The Gimmick, Fire & Ice: Welcome to Smallville) and featuring the explosive art of up-and-comer Ornella Greco (Star Trek: Picard's Academy).
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Total Suplex of the Heart
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World War 3 Illustrated
Founded in 1979 by Seth Tobocman and Peter Kuper, World War 3 Illustrated is a collective of first-time and professional artists who use confrontational comics to shine a little reality on the fantasy world of the American kleptocracy. This full-color retrospective exhibition is arranged thematically, and includes topic of housing rights, feminism, the environment, religion, police brutality, globalization, and depictions of conflicts from the Middle East to the Midwest. World War 3 Illustrated also illuminates the war we wage on each other--and sometimes the one taking place in our own minds. Contributors include Sue Coe, Eric Drooker, Fly, Sandy Jimenez, Sabrina Jones, Peter Kuper, Mac McGill, Kevin Pyle, Spain Rodriguez, Nicole Schulman, Seth Tobocman, Susan Willmarth, and dozens more.
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World War 3 Illustrated
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My Mom Had An Abortion
My Mom Had an Abortion is a unique coming-of-age tale told by a self-described dyslexic-asexual-lesbian-feminist teenager and illustrated by body-positive comic artist Tatiana Gill. We follow our protagonist Beezus B. Murphy as she chronicles her evolving understanding of menstruation, reproduction, and abortion and finds her place in a confusing world. Initially influenced by harmful narratives in pop media such as the "the pregnant teenager" cliche, we watch Beezus's ideas change as her body changes and as she learns more about the intricacies of her family history and her mom's own reproductive experiences. She grows from a confused, out-of-place kid into a self-assured, empathetic, and strong-willed activist teen. As Beezus says, "People shouldn't be shamed for getting or not getting abortions. Young people absorb the information that we gather from our surroundings. Sometimes it's good information and other times it can be harmful. But now I realize abortion is perfectly normal and should be kept safe and legal." Sprinkled with pop culture references, hilariously apt descriptions of unwanted body changes and menstruation like the chapter "Blood, Bath, and Beyond," and instantly understandable revelations of growing-up, this beautifully illustrated short graphic novel crucially fills a cultural gap around complexities of abortion, pop culture, body changes, and finding out where we fit in.
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Comics Plus
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My Mom Had An Abortion
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