WAGNER, R.: Introduction to Der Ring des Nibelungen (An) (D. Cooke, Vienna Philharmonic, Solti)
Siegfried Idyll (18 min. 28 sec.) / Wagner -- Kinder-Katechismus (version for choir and orchestra) (02 min. 22 sec.) / Wagner -- A number of further motives (Ex.17-21) (03 min. 18 sec.) / Wagner -- A second, much smaller family (Ex.22-25) (02 min. 35 sec.) / Wagner -- So much for nature (Ex.26-38) (07 min. 56 sec.) / Wagner -- The cause of the deterioration (Ex.39-44) (03 min. 31 sec.) / Wagner -- The other transformation (Ex.45-48) (03 min. 45 sec.) / Wagner -- Several other motives (Ex.49-52) (02 min. 47 sec.) / Wagner -- Two further motives (Ex.41,53-61) (07 min. 13 sec.) / Wagner -- Basic motive associated with the spear (Ex.62/68) (Ex.62/8)(Ex.62/8) (05 min. 17 sec.) / Wagner -- Along another, more complex line (Ex.69-72) (02 min. 12 sec.) / Wagner -- In Act 2 of "Walkure" (Ex.69,73-75) (02 min. 22 sec.) / Wagner -- Returning now to Act 2 of "Walkure" (Ex.76-79) (03 min. 55 sec.) / Wagner -- Love is another of the central symbols (Ex.80-83) (03 min. 06 sec.) / Wagner -- Returning now to the Nature Motive (Ex.12-16) (03 min. 22 sec.) / Wagner -- In the final scene of "Gotterdammerung" (Ex.181-3) (02 min. 45 sec.) / Wagner -- Even more masterly (Ex.184-8) (04 min. 32 sec.) / Wagner -- The fundamental symbol (Ex.5-11) (04 min. 47 sec.) / Wagner -- This masterly way (Ex.192-3) (04 min. 53 sec.) / Wagner -- Besides this family of motives (Ex.177-80) (02 min. 31 sec.) / Wagner -- Quite a number of subsidiary motives (Ex.172-6) (02 min. 51 sec.) / Wagner -- These motives of Alberich and Mime (Ex.169-71) (02 min. 08 sec.) / Wagner -- There are one or two motives (Ex.162-8) (03 min. 48 sec.) / Wagner -- One further motive connected (Ex.158-61) (02 min. 52 sec.) / Wagner -- One last central symbol (Ex.150-7) (04 min. 55 sec.) / Wagner -- Complementary to this symbol (Ex.147-9) (02 min. 14 sec.) / Wagner -- Here we come to the end (Ex.141-6) (03 min. 43 sec.) / Wagner -- Closely associated with Gutrune's motive (Ex.136-40) (02 min. 27 sec.) / Wagner -- Ironically, this phrase (Ex.131-5) (02 min. 59 sec.) / Wagner -- The sword motive recurs (Ex.122-130) (04 min. 28 sec.) / Wagner -- One further motive belongs (Ex.121) (01 min. 25 sec.) / Wagner -- The characters in whose lives (Ex.115-120) (05 min. 28 sec.) / Wagner -- There are several independent love-motives (Ex.110) (02 min. 56 sec.) / Wagner -- The other new motive (Ex.104-09) (03 min. 36 sec.) / Wagner -- A little later in this interlude (Ex.99-103) (03 min. 08 sec.) / Wagner -- When Fasolt, in Scene 2 of "Rhinegold" (Ex.93-8) (05 min. 24 sec.) / Wagner -- The label "Flight" (Ex.92) (NaN min. NaN sec.)(56 sec.) / Wagner -- Freia's motive has 2 independent segments (Ex.88-91) (02 min. 02 sec.) / Wagner -- Later in the same scene (Ex.84-87) (02 min. 23 sec.) / Wagner -- Of all great musical compositions (Ex.1-4) (03 min. 37 sec.) / Wagner -- Our final example (Ex.10,181-2) (03 min. 57 sec.) / Wagner -- Now if we return (Ex.189-91) (02 min. 48 sec.) / Wagner
Fuente:
Naxos Music Library
Formatos de contenido:
Audios
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