I. The Proclamation: Gloria In Excelsis Deo (04 min. 49 sec.) / Jenkins -- Reading from The Hindu Bhagavad Gita (The Song Of The Blessed Lord) (NaN min. NaN sec.)(24 sec.) / Jenkins -- II. The Prayer: Laudamus Te (07 min. 12 sec.) / Jenkins -- Reading from The Buddhist Diamond Sutra (NaN min. NaN sec.)(14 sec.) / Jenkins -- III. The Psalm: Tehellim, "Psalm 150" (04 min. 06 sec.) / Jenkins -- Reading from The Taoist Tao Te Ching (The Classic Of The Way And Virtue) (NaN min. NaN sec.)(38 sec.) / Jenkins -- IV. The Song: I'll Make Music (05 min. 52 sec.) / Jenkins -- Reading from The Qur'an: 'Al Fatiha' (The Opening) (NaN min. NaN sec.)(20 sec.) / Jenkins -- V. The Exaltation: Domine Deus (09 min. 39 sec.) / Jenkins -- Deum Laudamus (05 min. 55 sec.) / Jenkins -- Te Ergo Quaesumus (03 min. 35 sec.) / Jenkins -- Aeterna Fac (02 min. 55 sec.) / Jenkins -- Miserere Nostri (01 min. 36 sec.) / Jenkins -- Te Deum Laudamus (Reprise) (01 min. 22 sec.) / Jenkins

Cancan (02 min. 05 sec.) / Offenbach -- Prelude au Can-can (NaN min. NaN sec.)(28 sec.) / Offenbach -- Valse (03 min. 12 sec.) / Offenbach -- Duel (02 min. 36 sec.) / Offenbach -- Valse (02 min. 11 sec.) / Offenbach -- Entree du Bresilien (NaN min. NaN sec.)(14 sec.) / Offenbach -- Valse moderato (01 min. 52 sec.) / Offenbach -- Tempo di marcia (01 min. 39 sec.) / Offenbach -- Valse lente (03 min. 29 sec.) / Offenbach -- Polka (01 min. 43 sec.) / Offenbach -- Entree du Bresilien (01 min. 13 sec.) / Offenbach -- Valse (02 min. 14 sec.) / Offenbach -- Mazurka (02 min. 37 sec.) / Offenbach -- Landler (01 min. 48 sec.) / Offenbach -- Polka (01 min. 39 sec.) / Offenbach -- Allegro moderato (01 min. 12 sec.) / Offenbach -- Ouverture (02 min. 18 sec.) / Offenbach -- Polka de orphee (01 min. 38 sec.) / Offenbach -- Potpourri (02 min. 07 sec.) / Offenbach -- Allegro moderato (05 min. 07 sec.) / Offenbach -- Rag-Mazurka (06 min. 19 sec.) / Poulenc -- Jeu (03 min. 51 sec.) / Poulenc -- Adagietto (03 min. 44 sec.) / Poulenc -- Chanson dansee (04 min. 07 sec.) / Poulenc -- Rondeau (03 min. 32 sec.) / Poulenc -- Ouverture (03 min. 31 sec.) / Poulenc -- Andantino (03 min. 30 sec.) / Poulenc -- Petite chanson dansee (01 min. 49 sec.) / Poulenc -- Finale (03 min. 32 sec.) / Poulenc -- Act II Scene 2: The Young Man returns to the Young Girl (08 min. 54 sec.) / Messager -- Act II: Interlude (01 min. 33 sec.) / Messager -- Act II Scene 1: Finale (02 min. 29 sec.) / Messager -- Act II Scene 1: General Dance (03 min. 09 sec.) / Messager -- Act II Scene 1: Hungarian Dance (03 min. 54 sec.) / Messager -- Act II Scene 1: Young Man's Solo (NaN min. NaN sec.)(53 sec.) / Messager -- Act II Scene 1: Gypsy Girl's Solo (01 min. 56 sec.) / Messager -- Act II Scene 1: Dance of the Gypsy Girls (02 min. 37 sec.) / Messager -- Act II Scene 1: Waltz (03 min. 38 sec.) / Messager -- Act II Scene 1: Introduction (03 min. 23 sec.) / Messager -- Act I: The gypsies leave - Finale (04 min. 01 sec.) / Messager -- Act I: Theme and Variations: Gypsy Girl's Solo - Coda (01 min. 29 sec.) / Messager -- Act I: Theme and Variations: The Gypsy Girl intervenes (NaN min. NaN sec.)(23 sec.) / Messager -- Act I: Theme and Variations: Young Girl's Variation (NaN min. NaN sec.)(45 sec.) / Messager -- Act I: Theme and Variations: Gypsy Girl's Variation (NaN min. NaN sec.)(55 sec.) / Messager -- Act I: Theme and Variations: Introduction (01 min. 46 sec.) / Messager -- Act I: The Gypsy Girl flirts with the Young Man (NaN min. NaN sec.)(30 sec.) / Messager -- Act I: Dance of the Gypsies (03 min. 10 sec.) / Messager -- Act I: The Young Man sees the gypsies outside and invites them in (01 min. 21 sec.) / Messager -- Act I: Coda (NaN min. NaN sec.)(57 sec.) / Messager -- Act I: Dance of the Two Pigeons (03 min. 42 sec.) / Messager -- Act I: Entrance of Neighbour and Friends (03 min. 17 sec.) / Messager -- Act I: Introduction - The Young Man and the Young Girl (03 min. 59 sec.) / Messager -- I. Allegro moderato e pesante, un poco più mosso (03 min. 28 sec.) / Meyerbeer -- II. Andante espressivo (02 min. 23 sec.) / Meyerbeer -- III. Allegretto scherzoso (01 min. 43 sec.) / Meyerbeer -- IV. Andantino (02 min. NaN sec.) / Meyerbeer -- V. Allegro con spirito (03 min. 30 sec.) / Meyerbeer

Act I: Se quel guerrier io fossi! … Celeste Aida (04 min. 27 sec.) / Verdi -- Act IV: O terra addio (04 min. 50 sec.) / Verdi -- Act I: Su, profetessa … Di tu, se fedele (04 min. 11 sec.) / Verdi -- Act III: Forse la soglia attinse … Ma se m'e forza perderti (05 min. 24 sec.) / Verdi -- Act III: O tu che in seno agli angeli (03 min. 29 sec.) / Verdi -- Act III: Solenne in quest ora (04 min. 04 sec.) / Verdi -- Act I: Su, cacciator … Fontainebleau! … Io la vidi (04 min. 27 sec.) / Verdi -- Act I: Dio, che nell'alma infondere amor (05 min. 02 sec.) / Verdi -- Macbeth, Act IV: O figli, o figli miei … Ah, la paterna mano (03 min. 39 sec.) / Verdi -- Act I: Merce, dilette amici … Come rugiada al cespite (03 min. 31 sec.) / Verdi -- Act I: Dell 'esiglio nel dolore … O tu che l'alma adora (03 min. 28 sec.) / Verdi -- Act I: Gia nella notte densa … Quando narravi l'esule tua vita … Venga la morte (09 min. 58 sec.) / Verdi -- Act IV: Niun mi tema (05 min. 38 sec.) / Verdi -- La traviata, Act I: Libiamo, ne' lieti calci, "Brindisi" (03 min. 38 sec.) / Verdi -- La bohème, Act IV: In un coupe … O Mimi tu più non torni (04 min. 36 sec.) / Puccini -- La fanciulla del West, Act III: Ch'ella mi creda libero e lontano (01 min. 55 sec.) / Puccini -- Act I: Tra voi, belle, brune e bionde (01 min. 30 sec.) / Puccini -- Act I: Cortese damigella, il priego mio acettate (04 min. 20 sec.) / Puccini -- Act I: Donna non vidi mai (02 min. 30 sec.) / Puccini -- Act II: Oh, saro la più bella! (08 min. 08 sec.) / Puccini -- Act II: Ah! Manon, mi tradisce (02 min. 41 sec.) / Puccini -- Act III: Ah! non v'avvicinate! … Come io piango ed imploro (03 min. 09 sec.) / Puccini -- Act IV: Manon, senti (04 min. 28 sec.) / Puccini -- Act I: Dammi i colori … Recondita armonia (02 min. 59 sec.) / Puccini -- Act I: Mario! Mario! Mario! (07 min. 22 sec.) / Puccini -- Act I: Ah, quegli occhi … Quale occhio al mondo (06 min. 20 sec.) / Puccini -- Act II: Floria! … Amore Vittoria! (03 min. 20 sec.) / Puccini -- Act III: E lucevan le stelle (03 min. 10 sec.) / Puccini -- Act III: Ah! Franchigia a Floria Tosca (02 min. 32 sec.) / Puccini -- Act III: O dolci mani mansuete e pure (05 min. 40 sec.) / Puccini -- Act III: E non giungono (02 min. 12 sec.) / Puccini -- Mefistofele, Act I: Dai campi, dai prati (02 min. 29 sec.) / Boito -- Nerone, Act III: Aria: Vergini, Muse … Quando al soave anelito (03 min. 20 sec.) / Mascagni -- Act II: Suzel, buon di (04 min. 17 sec.) / Mascagni -- Act II: Tutto tace (04 min. 04 sec.) / Mascagni -- Faust, Act II: Quel trouble inconnu me penetre! … Salut! Demeure chaste et pure (05 min. 27 sec.) / Gounod -- L' Africaine (The African Maid), Act IV: Pays merveilleux … O paradis (Sung in French) (03 min. 18 sec.) / Meyerbeer -- Le Cid, Act III: O souverain, o juge, o pere (05 min. 03 sec.) / Massenet -- Les pecheurs de perles (The Pearl Fishers), Act I: C'est toi … Au fond du temple saint (07 min. 58 sec.) / Bizet -- Samson et Dalila, Op. 47, Act I: Arretez, o mes freres! (02 min. 33 sec.) / Saint-Saëns -- Act II: Adieu, Mignon! (04 min. 54 sec.) / Thomas -- Act III: Elle ne croyait pas, dans sa candeur naive (04 min. 06 sec.) / Thomas -- Bevenuto Cellini, Op. 23, Act II: Une heure encore … La gloire etait ma seule (06 min. 14 sec.) / Berlioz -- Eugene Onegin, Op. 24, Act II: Kuda, kuda, kuda vi udalilis (06 min. 17 sec.) / Tchaikovsky -- Act I: Recitativo: Come mai creder deggio … Dalla sua pace (04 min. 22 sec.) / Mozart -- Act II: Recitative: Amici miei - Aria: Il mio tesoro intanto (04 min. 41 sec.) / Mozart -- Die Zauberflote (The Magic Flute), K. 620, Act I: Arie: Dies Bildnis sind bezaubernd schon (03 min. 47 sec.) / Mozart -- Cosi fan tutte, K. 588, Act I: Un'aura amorosa (04 min. 06 sec.) / Mozart -- Wien, du Stadt meiner Traume, Op. 1 (04 min. 51 sec.) / Sieczynski -- Das Land des Lachelns (The Land of Smiles), Act II: Dein ist mein ganzes Herz! (03 min. 42 sec.) / Lehár

The American Tourist (06 min. 43 sec.) / Blachman

Only in the world of Close to Home can you find hospitals staffed with hypochondriac-sniffing dogs, Yellowstone employees who secretly spike Old Faithful with gallons of Mr. Bubble, and telephones equipped with Caller I.Q. Of course, for the creator of the screamingly successful Close to Home, it's just another no-holds-barred day at the drawing board. Specializing in humor in everyday situations, John McPherson lampoons the worlds of parenting, marriage, school, health care, work, and leisure in ways that get readers to laugh at themselves.

Cartoonist John McPhersons comics may be close to home, but thank your lucky stars that his erratic characters havent made themselves too comfortable in your home. McPhersons ode to everyday life is punctuated with the off-the-wall personalities who can turn any normal occurrence into something ridiculous. The only way to read these cartoons and their comical charactersfrom inept surgeons to cruel chiropractorsis to expect the unexpected. Close to Home debuted in 50 newspapers in 1992 after McPherson left his engineering job to become a full-time cartoonist, and today the comic strip runs in nearly 700 newspapers worldwide. His characters are regularly confronted with everyday dilemmas, including aggressive acupuncture and leaky laughing gas tanks, and their responses are always cleverly unpredictable. The situations are somehow both outlandish yet relatable, and anyone is sure to burst out in laughter at this original e-book collection of all of Close to Homes boldest and best takes on everything medical.

"""I hope you enjoy Cul de Sac as much as I do. I think you're in for a real treat."" --Bill Watterson, creator of Calvin and Hobbes, 2008 ""One of the five best features in any newspaper, period."" --The Comics Reporter ""One of the few strips around where nearly every individual panel is stand-alone delight."" --The Onion ""...it really seems like the inheritor of 'Calvin and Hobbes.'"" --Art Spiegelman ""I can't say enough in his favor, so much is my admiration for his work."" --Pat Oliphant More than half of our nation's population resides in the 'burbs. Knowingly, Richard Thompson's Cul de Sac follows the antics of four-year-old Alice Otterloop as she navigates her way through life at Blisshaven Preschool, ""the scene of [her] daily toil."" Suburbanites across the nation will easily recognize the quirks and conundrums associated with house-lined streets, sidewalk canvases, and magnetified refrigerator art. Instructed by the proper Miss Bliss, Alice regularly has issues with taking a nap, speaking out of turn, and remembering what a triangle looks like. Helping her through life's ups and downs are her eight-year-old brother Petey, Dad (a.k.a. Peter), and Mom (a.k.a. Madeline), as well as Mr. Danders, the preschool's pompously pedantic guinea pig. This is the strip's first book collection incorporating more than a year's worth of strips dating back to the cartoon's 2007 debut. Thompson has received critical praise for doing a masterful job of commenting on social issues while entertaining in a freshly amusing and unexpected way."

"As creator Lynn Johnston illustrates inside this special treasury of America's most popular family comic strip, For Better or For Worse, life moves quickly in the Patterson household. From car pools and coffee klatches to life lessons for all, Johnston combines strips from her fifth and sixth cartoon collectionsJust One More Hug and The Last Strawinside this specially annotated edition. Reflecting Johnston's longstanding tradition of portraying family life with warmth, humor, and honesty, this treasury features Johnston's original commentary, which offers firsthand insight into the development and inspiration behind her strips. Candid personal photos and newspaper clippings from the early days are also included and provide a behind-the-scenes glimpse for fans of For Better or For Worse. Join the Patterson family as they find humor in life's everyday challenges and triumphs; and discover why this endearing foursome is North America's favorite funny-page family inside this reflective retrospective."

"As its title implies, In the Beginning There Was Chaos follows John and Elly Patterson as they tackle the everyday joys and sorrows--and surprises and frustrations and challenges--that arise when raising a young family. In her second For Better or For Worse treasury, Lynn Johnston takes readers back to the 1980s, when Elly leaves her column for a job at the library. As Elly chases her professional goals, she struggles with spending less time at home. Meanwhile, John provides consistent comic relief, as he plays Mr. Mom, breaks his foot with a 25-pound turkey, and gets arrested for trying to steal a potty. Of course, the kids are always in tow--Michael learning that with age comes responsibility and Elizabeth discovering the thrills of kindergarten. Combining strips from Johnston's fourth, fifth, and sixth cartoon collections--Just One More Hug, The Last Straw, and Keep the Home Fries Burning--In the Beginning There Was Chaos reflects Johnston's longstanding tradition of portraying family life with charm, humor, and honesty. Devoted fans will love reliving the Pattersons' younger years, and first-time readers will discover why this endearing foursome is North America's favorite funny page family. In the Beginning There Was Chaos includes Johnston's commentary on the inspiration behind strips, as well as photos and newspaper clippings from the early days, providing a behind-the-scenes glimpse for fans of For Better or For Worse. Join the Patterson family as they find humor in everyday life's challenges. Lynn Johnston was born in Collingwood, Ontario, and grew up in British Columbia. Today, she lives in Corbeil, Ontario. Johnston is the first woman to receive a Reuben Award for Cartoonist of the Year by the National Cartoonists Society in 1985. She has also received the Order of Canada and claims a star on Canada's Walk of Fame. For Better or For Worse has been syndicated since 1979 and was named Best Syndicated Comic Strip in 1992. For Better or For Worse appears in more than 2,000 newspapers in 23 countries, and is translated into 8 languages for a devoted readership of more than 220 million. The strip boasts a lively Web presence at www.fborfw.com."

Aspiring cartoonist Nate Wright is the star of Big Nate, the daily and Sunday comic strip distributed by Newspaper Enterprise Association since 1991. Nate is eleven years old, four-and-a-half feet tall, and the all-time record holder for detentions in school history. He's a self-described genius and sixth grade Renaissance Man. Equipped with only a #2 pencil and the unshakable belief that he is #1, Nate fights a daily battle against overzealous teachers, undercooked cafeteria food and all-around conventionality. He's the original rebel without a clue, alternately abrasive and endearing to classmates and teachers alike. Nate blazes an unforgettable trail through the sixth grade at P.S. 38, earning straight A's in laughs along the way.