Overtura Respighiana (05 min. 38 sec.) / Di Vittorio -- III. Childheart, Song of Truth - Revelation: The Abandoned Cradle (03 min. 28 sec.) / Di Vittorio -- IV. Elegy (04 min. 39 sec.) / Di Vittorio -- II. Dance of Tears (02 min. 10 sec.) / Di Vittorio -- I. Requiem for a Child - March, On Lost Innocence (04 min. 02 sec.) / Di Vittorio -- Ave Maria (07 min. 46 sec.) / Di Vittorio -- II. Fantasia (07 min. 57 sec.) / Di Vittorio -- I. Preludio (06 min. 10 sec.) / Di Vittorio -- III. Fuga (02 min. 53 sec.) / Di Vittorio -- IV. Finale (03 min. 24 sec.) / Di Vittorio -- III. Tempo primo (01 min. 49 sec.) / Di Vittorio -- II. Più mosso (03 min. 15 sec.) / Di Vittorio -- I. Moderato, elegante e delicato (03 min. 40 sec.) / Di Vittorio

I. Introduzione: Allegro moderato (02 min. 14 sec.) / Stravinsky -- II. Serenata: Larghetto (02 min. 57 sec.) / Stravinsky -- III. Tarantella: Vivace (02 min. 36 sec.) / Stravinsky -- IV. Gavotta con due Variazioni (03 min. 46 sec.) / Stravinsky -- V. Scherzino (01 min. 42 sec.) / Stravinsky -- VI. Minuetto e Finale: Moderato - (02 min. 56 sec.) / Stravinsky -- VI. Minuetto e Finale: Finale (02 min. 21 sec.) / Stravinsky -- III. Scherzo (03 min. 29 sec.) / Stravinsky -- II. Danses suisses (04 min. 38 sec.) / Stravinsky -- I. Sinfonia (07 min. 02 sec.) / Stravinsky -- IV. Pas de deux: Coda (02 min. 14 sec.) / Stravinsky -- IV. Pas de deux: Variation (01 min. 07 sec.) / Stravinsky -- IV. Pas de deux: Adagio (03 min. 33 sec.) / Stravinsky -- II. Eglogue I (02 min. 29 sec.) / Stravinsky -- I. Cantilene (03 min. 20 sec.) / Stravinsky -- III. Eglogue II (03 min. 37 sec.) / Stravinsky -- IV. Gigue (04 min. 49 sec.) / Stravinsky -- V. Dithyrambe (03 min. 32 sec.) / Stravinsky

Sax Quartet (10 min. 33 sec.) / Tanenbaum -- Scene 1: Maggie and Ira Doran, A Trip to Deer Lick (03 min. 02 sec.) / Sampson -- Interlude 1: Settle for Being Ordinary? (02 min. 09 sec.) / Sampson -- Scene 2: Daniel Otis Meets the Dorans (02 min. 34 sec.) / Sampson -- Interlude 2: Lives alone… drying out like a raisin (04 min. 26 sec.) / Sampson -- Scene 3: Jesse and Fiona: Reunion (02 min. 33 sec.) / Sampson -- Interlude 3: 4 vacant rockers (03 min. 48 sec.) / Sampson -- Scene 4: Maggie (02 min. 47 sec.) / Sampson -- No. 5. Blues Interlude (02 min. 52 sec.) / Morrill -- No. 6. Riffs (to the memory of Zoot Sims) (01 min. 36 sec.) / Morrill -- No. 4. Mediterranean (01 min. 51 sec.) / Morrill -- No. 3. Duet (02 min. 06 sec.) / Morrill -- No. 2. Scales (01 min. 05 sec.) / Morrill -- No. 1. Prelude (to the memory of Harry Camey) (02 min. 35 sec.) / Morrill -- II. quarter note = 120 (02 min. 03 sec.) / Sauter -- I. quarter note = 60 (04 min. 03 sec.) / Sauter -- III. quarter note = 60 (02 min. 17 sec.) / Sauter -- IV. quarter note = 126 (03 min. 25 sec.) / Sauter -- Rhapsody for Saxophone Quartet (09 min. 11 sec.) / Ewazen

The Salvation Army March (02 min. 55 sec.) / Sousa -- Jazz America (arr. S. Sugano for wind band) (08 min. 09 sec.) / Sousa -- The Free Lance (arr. K. Brion and L. Schissel for wind band) (04 min. 23 sec.) / Sousa -- The Quilting Party March (arr. K. Brion for wind band) (02 min. 14 sec.) / Sousa -- I. The Champagnes (01 min. 36 sec.) / Sousa -- II. The Rhine Wines (03 min. 12 sec.) / Sousa -- III. The Whiskies - Scotch, Irish, Bourbon and Rye (04 min. 47 sec.) / Sousa -- IV. The Convention of the Cordials, Wines, Whiskies and White Rock (02 min. 06 sec.) / Sousa -- When the Boys Come Sailing Home! (arr. K. Brion for wind band) (02 min. 38 sec.) / Sousa -- Myrrha Gavotte (arr. K. Brion for wind band) (06 min. 16 sec.) / Sousa -- Vautour Overture (arr. K. Brion for wind band) (05 min. 12 sec.) / Sousa -- The Beau Ideal March (arr. K. Brion for wind band) (03 min. 32 sec.) / Sousa -- Humoresque on Kern's Look for the Silver Lining (arr. K. Brion for wind band) (05 min. 54 sec.) / Sousa -- Anchor and Star (arr. K. Brion for wind band) (04 min. 10 sec.) / Sousa -- Who's Who in Navy Blue (arr. K. Brion for wind band) (02 min. 54 sec.) / Sousa

Druck, o Heilge alle Wunden (04 min. 29 sec.) / Pergolesi -- Lass in Liebe mich entbrennen (02 min. 10 sec.) / Pergolesi -- Lass, o Mutter, Quell der Liebe (02 min. 19 sec.) / Pergolesi -- Sieht den holden Sohn erblassen (03 min. 07 sec.) / Pergolesi -- Wessen Auge kann der Zahren (02 min. 42 sec.) / Pergolesi -- Wie die bange Seele lechzet (01 min. 55 sec.) / Pergolesi -- O wie bittere Qualen Beute (01 min. 58 sec.) / Pergolesi -- Ach wie bangt ihr Herz, wie bricht es (02 min. 15 sec.) / Pergolesi -- Schaut die Mutter voller Schmerzen (04 min. NaN sec.) / Pergolesi -- Gib mir Teil an Christi Leiden (03 min. 40 sec.) / Pergolesi -- Flammend noch vom heilgen Feuer (01 min. 51 sec.) / Pergolesi -- Deckt des Grabes dustre Hohle (04 min. 01 sec.) / Pergolesi -- Freude, du Lust der Gotter (Der Fruhling), Wq. 237, H. 723 (08 min. 21 sec.) / Bach -- Entro le viscere (01 min. 45 sec.) / Graun -- Agitato in Mezzo all'onde (06 min. 49 sec.) / Graun -- Ma che vedo? (NaN min. NaN sec.)(51 sec.) / Graun -- Agitate sondai venti (09 min. NaN sec.) / Graun

Welten der Innerlichkeit (07 min. 58 sec.) / Not Applicable -- Scherzo-Satze: Ironie, Sarkasmus und Spielfreude (10 min. 07 sec.) / Not Applicable -- Kunstlerische Freiheit und staatliche Repression (15 min. 58 sec.) / Not Applicable -- Krieg, Verweigerung und Abrechnung (25 min. 05 sec.) / Not Applicable -- Schostakowitsch in Leipzig und Dresden (06 min. 18 sec.) / Not Applicable -- Der Abschied (05 min. 33 sec.) / Not Applicable -- Genialer Einstieg und fruher Weltruhm (06 min. 58 sec.) / Not Applicable

Franz Schuberts Wandererfantasie als Modell (18 min. 34 sec.) / Not Applicable -- Werkbetrachtung zur h-Moll-Sonate (25 min. 43 sec.) / Not Applicable -- Stretta quasi presto (bar 650) - (01 min. NaN sec.) / Liszt -- Accentuato il canto (bar 600) - (02 min. 20 sec.) / Liszt -- Piu mosso (bar 555) - (01 min. 04 sec.) / Liszt -- (bar 531) - (NaN min. NaN sec.)(38 sec.) / Liszt -- Energico (bar 509) - (NaN min. NaN sec.)(32 sec.) / Liszt -- Allegro energico (bar 460) - (01 min. 08 sec.) / Liszt -- (bar 455) - (NaN min. NaN sec.)(44 sec.) / Liszt -- (bar 363) - (04 min. 36 sec.) / Liszt -- Quasi adagio (upbeat to bar 349) - (01 min. NaN sec.) / Liszt -- Andante sostenuto (bar 331) - (01 min. 12 sec.) / Liszt -- (upbeat to bar 311) - (NaN min. NaN sec.)(51 sec.) / Liszt -- (bar 297) - (01 min. 22 sec.) / Liszt -- (bar 277) - (NaN min. NaN sec.)(31 sec.) / Liszt -- Incalzando (bar 255) - (NaN min. NaN sec.)(28 sec.) / Liszt -- (bar 205) - (01 min. 11 sec.) / Liszt -- (bar 179) - (NaN min. NaN sec.)(54 sec.) / Liszt -- Cantando espressivo (bar 153) - (01 min. 03 sec.) / Liszt -- (bar 120) - (01 min. 22 sec.) / Liszt -- Grandioso (bar 105) - (NaN min. NaN sec.)(56 sec.) / Liszt -- (bar 81) - (NaN min. NaN sec.)(36 sec.) / Liszt -- Allegro energico (bar 8) - (02 min. 05 sec.) / Liszt -- Lento assai (bar 1) - (NaN min. NaN sec.)(46 sec.) / Liszt -- (bar 700) - (NaN min. NaN sec.)(26 sec.) / Liszt -- Andante sostenuto (bar 711) - (01 min. 13 sec.) / Liszt -- Coda (bar 729) (02 min. 50 sec.) / Liszt

Der neue Klang bei Schubert und Mendelssohn (10 min. 49 sec.) / Not Applicable -- Berlioz, der Revolutionär des Orchesterklanges (18 min. 26 sec.) / Not Applicable -- Richard Wagner im Mittelpunkt des Jahrhunderts (21 min. 08 sec.) / Not Applicable -- Klassizismus bei Brahms und Tschaikowsky (07 min. 15 sec.) / Not Applicable -- Verdi und die „tinta musicale“ (08 min. 47 sec.) / Not Applicable -- Die Entwicklung geht weiter: Bruckner, Strauss und Mahler (10 min. 02 sec.) / Not Applicable

Mozart bören „unter der Lupe“ (05 min. 51 sec.) / Not Applicable -- Inspiration im Reihentest (13 min. 55 sec.) / Not Applicable -- Hinführung zum 1. Satz des Konzertes Nr. 16 (K. 451) (13 min. 17 sec.) / Not Applicable -- Glückshormone in D-Dur (09 min. 53 sec.) / Not Applicable -- Die Welt der langsamen Sätze (19 min. 03 sec.) / Not Applicable -- Mozarts Espirit in den Finale-Sätzen (09 min. 41 sec.) / Not Applicable

Exzerpt 21 (NaN min. NaN sec.)(48 sec.) / Not Applicable -- Exzerpt 20 (NaN min. NaN sec.)(30 sec.) / Not Applicable -- Exzerpt 19 (NaN min. NaN sec.)(30 sec.) / Not Applicable -- Exzerpt 18 (NaN min. NaN sec.)(29 sec.) / Not Applicable -- Exzerpt 17 (NaN min. NaN sec.)(31 sec.) / Not Applicable -- Exzerpt 16 (NaN min. NaN sec.)(30 sec.) / Not Applicable -- Exzerpt 15 (NaN min. NaN sec.)(27 sec.) / Not Applicable -- Exzerpt 14 (NaN min. NaN sec.)(30 sec.) / Not Applicable -- Exzerpt 13 (NaN min. NaN sec.)(31 sec.) / Not Applicable -- Exzerpt 12 (NaN min. NaN sec.)(28 sec.) / Not Applicable -- Exzerpt 11 (NaN min. NaN sec.)(31 sec.) / Not Applicable -- Exzerpt 10 (NaN min. NaN sec.)(29 sec.) / Not Applicable -- Exzerpt 9 (NaN min. NaN sec.)(31 sec.) / Not Applicable -- Exzerpt 8 (NaN min. NaN sec.)(34 sec.) / Not Applicable -- Exzerpt 7 (NaN min. NaN sec.)(31 sec.) / Not Applicable -- Exzerpt 6 (NaN min. NaN sec.)(30 sec.) / Not Applicable -- Exzerpt 5 (NaN min. NaN sec.)(30 sec.) / Not Applicable -- Exzerpt 4 (NaN min. NaN sec.)(30 sec.) / Not Applicable -- Exzerpt 3 (NaN min. NaN sec.)(35 sec.) / Not Applicable -- Exzerpt 2 (NaN min. NaN sec.)(35 sec.) / Not Applicable -- Exzerpt 1 (NaN min. NaN sec.)(37 sec.) / Not Applicable -- Werkbetrachtung Passacaglia (20 min. 38 sec.) / Not Applicable -- Exzerpt 17 (NaN min. NaN sec.)(40 sec.) / Not Applicable -- Exzerpt 16 (NaN min. NaN sec.)(41 sec.) / Not Applicable -- Exzerpt 15 (NaN min. NaN sec.)(42 sec.) / Not Applicable -- Exzerpt 14 (NaN min. NaN sec.)(42 sec.) / Not Applicable -- Exzerpt 13 (NaN min. NaN sec.)(43 sec.) / Not Applicable -- Exzerpt 12 (NaN min. NaN sec.)(46 sec.) / Not Applicable -- Exzerpt 11 (NaN min. NaN sec.)(42 sec.) / Not Applicable -- Exzerpt 10 (NaN min. NaN sec.)(43 sec.) / Not Applicable -- Exzerpt 9 (NaN min. NaN sec.)(43 sec.) / Not Applicable -- Exzerpt 8 (NaN min. NaN sec.)(44 sec.) / Not Applicable -- Exzerpt 7 (NaN min. NaN sec.)(43 sec.) / Not Applicable -- Exzerpt 6 (NaN min. NaN sec.)(43 sec.) / Not Applicable -- Exzerpt 5 (NaN min. NaN sec.)(43 sec.) / Not Applicable -- Exzerpt 4 (NaN min. NaN sec.)(44 sec.) / Not Applicable -- Exzerpt 3 (NaN min. NaN sec.)(43 sec.) / Not Applicable -- Exzerpt 2 (NaN min. NaN sec.)(44 sec.) / Not Applicable -- Exzerpt 1 (NaN min. NaN sec.)(06 sec.) / Not Applicable -- Werkbetrachtung Bolero (25 min. 06 sec.) / Not Applicable -- Exzerpt 18 (NaN min. NaN sec.)(40 sec.) / Not Applicable -- Exzerpt 19 (NaN min. NaN sec.)(40 sec.) / Not Applicable -- Exzerpt 20 (NaN min. NaN sec.)(34 sec.) / Not Applicable