Act I: Overture (08 min. 45 sec.) / Rossini -- Act I Scene 1: Nostra patria (Zaida, Albazar, Chorus) (02 min. 20 sec.) / Rossini -- Act I Scene 1: Ho da fare un dramma buffo (Poet, Chorus) (03 min. 02 sec.) / Rossini -- Act I Scene 1: Ah! Se di questi zingari l'arrivo (Poet) (NaN min. NaN sec.)(46 sec.) / Rossini -- Act I Scene 1: Vado in traccia di una zingara (Geronio) (02 min. NaN sec.) / Rossini -- Act I Scene 1: Chi vuol farsi astrologar? (Geronio, Zaida, Chorus) (01 min. 43 sec.) / Rossini -- Act I Scene 1: Ah, mia moglie, san chi sono (Geronio, Zaida, Chorus) (01 min. 12 sec.) / Rossini -- Act I Scene 1: Non si da follia maggiore (Fiorilla) (03 min. 39 sec.) / Rossini -- Act I Scene 1: Voga, voga, a terra, a terra (Fiorilla, Chorus) (01 min. 45 sec.) / Rossini -- Act I Scene 1: Bella Italia, alfin ti miro (Selim, Fiorilla) (02 min. 39 sec.) / Rossini -- Act I Scene 1: Serva … Servo … (Fiorilla, Selim) (03 min. 36 sec.) / Rossini -- Act I Scene 1: Amici … soccorretemi (Geronio, Narciso, Poet) (NaN min. NaN sec.)(54 sec.) / Rossini -- Act I Scene 1: Un marito-scimunito! (Narciso, Geronio, Poet) (05 min. 29 sec.) / Rossini -- Act I Scene 2: Olà tosto il caffè (Fiorilla, Selim) (01 min. 39 sec.) / Rossini -- Act I Scene 2: Siete Turchi, non vi credo (Fiorilla, Selim, Geronio, Narciso) (03 min. 15 sec.) / Rossini -- Act I Scene 2: Io stupisco, mi sorprende (Fiorilla, Selim, Geronio, Narciso) (02 min. 50 sec.) / Rossini -- Act I Scene 2: Come! Sì grave scorno soffrir potete in pace? (Fiorilla, Selim, Geronio, Narciso) (03 min. 16 sec.) / Rossini -- Act I Scene 2: Un vecchio far non puo maggior follia (Geronio, Poet, Fiorilla) (02 min. 23 sec.) / Rossini -- Act I Scene 2: Per piacere alla signora (Geronio, Fiorilla) (02 min. 29 sec.) / Rossini -- Act I Scene 2: No, mia vita, mio tesoro (Fiorilla, Geronio) (03 min. 31 sec.) / Rossini -- Act I Scene 3: Gran meraviglie (Zaida, Chorus) (01 min. 20 sec.) / Rossini -- Act I Scene 3: Per la fuga è tutto lesto (Selim, Poet, Zaida) (04 min. 30 sec.) / Rossini -- Act I Scene 3: Perché mai se son tradito (Narciso) (02 min. 33 sec.) / Rossini -- Act I Scene 3: Evviva d'amore il foco vitale (Chorus) (NaN min. NaN sec.)(54 sec.) / Rossini -- Act I Scene 3: Chi servir non brama Amor s'allontani (Fiorilla, Selim) (01 min. 57 sec.) / Rossini -- Act I Scene 3: Qui mia moglie ha da venire (Geronio, Fiorilla, Selim, Narciso, Poet, Zaida) (NaN min. NaN sec.)(57 sec.) / Rossini -- Act I Scene 3: Ah! Che il cor non m'ingannava (Geronio, Fiorilla, Selim, Narciso, Poet, Zaida) (02 min. 42 sec.) / Rossini -- Act I Scene 3: Vada via, si guardi bene di cercar l'amante mio (Zaida, Fiorilla, Selim, Narciso, Geronio, Albazar, Poet) (04 min. 54 sec.) / Rossini -- Act II Scene 1: A proposito, amico (Selim, Poet, Geronio) (01 min. 16 sec.) / Rossini -- Act II Scene 1: D'un bell'uso di Turchia (Selim, Geronio) (03 min. 15 sec.) / Rossini -- Act II Scene 1: Se Fiorilla di vender bramate (Selim, Geronio) (03 min. 23 sec.) / Rossini -- Act II Scene 1: Non v'e piacer perfetto se no! procura amor (Fiorilla, Chorus) (02 min. 16 sec.) / Rossini -- Act II Scene 1: Che Turca impertinente! (Fiorilla, Zaida, Selim) (02 min. 27 sec.) / Rossini -- Act II Scene 1: Credete alle femmine che dicon d'amarvi! (Selim, Fiorilla) (01 min. 51 sec.) / Rossini -- Act II Scene 1: In Italia certamente non si fa l'amor così (Selim, Fiorilla) (03 min. 14 sec.) / Rossini -- Act II Scene 1: Fermate … Cosa c'è (Poet, Geronio, Narciso) (01 min. 23 sec.) / Rossini -- Act II Scene 1: E Selim non si vede! (Fiorilla, Narciso, Selim, Zaida, Geronio) (02 min. 13 sec.) / Rossini -- Act II Scene 1: Oh! Guardate che accidente! (Fiorilla, Narciso, Selim, Zaida, Geronio) (03 min. 19 sec.) / Rossini -- Act II Scene 2: Dunque seguitemi (Selim, Narciso, Fiorilla, Zaida, Geronio, Chorus) (01 min. 23 sec.) / Rossini -- Act II Scene 2: Questo vecchio maledetto (Selim, Narciso, Fiorilla, Zaida, Geronio, Chorus) (02 min. 43 sec.) / Rossini -- Act II Scene 3: Si mi è forza partir (Fiorilla, Poet, Geronio) (01 min. 17 sec.) / Rossini -- Act II Scene 3: Son la vita sul campo appassita (Fiorilla, Poet, Geronio) (02 min. 25 sec.) / Rossini -- Act II Scene 3: Rida a voi sereno il cielo (Selim, Zaida, Fiorilla, Geronio, Narciso, Chorus) (03 min. 03 sec.) / Rossini

Act I: Overture (06 min. 23 sec.) / Donizetti -- Act I: Introduction: L'ennemi s'avance (Chorus) (01 min. 13 sec.) / Donizetti -- Act I: Sainte Madone! (Chorus, Hortensius, Marquise) (03 min. 05 sec.) / Donizetti -- Act I: Pour une femme de mon nom (La Marquise, Chorus, Hortensius) (04 min. 18 sec.) / Donizetti -- Act I: La voilà - Au bruit de la guerre (Sulpice, Marie, Chorus) (09 min. 29 sec.) / Donizetti -- Act I: Allons, allons, march', march' (Chorus, Marie, Tonio, Sulpice) (04 min. 08 sec.) / Donizetti -- Act I: Chacun le sait chacun le dit - C'est l'instant de l'appel (Marie, Chorus, Tonio, Sulpice) (08 min. 52 sec.) / Donizetti -- Act I: Quoi! vous m'aimez? (Marie, Tonio) (10 min. 22 sec.) / Donizetti -- Act I: Rataplan! (Chorus, Le Caporal) (02 min. 04 sec.) / Donizetti -- Act I: Cavatine: Ah! mes amis, quel jour defete (Tonio, La Caporal, Chorus) (07 min. 19 sec.) / Donizetti -- Act I: Finale: Je suis soldat - Il faut partir - Partons, Marie! (Tonio, Sulpice, Chorus, Marie, Hortensius, La Marquise, Le Caporal) (11 min. 21 sec.) / Donizetti -- Act II: Entracte (02 min. 22 sec.) / Donizetti -- Act II: Enfin la voila (La Marquise, Sulpice, Marie) (01 min. 32 sec.) / Donizetti -- Act II: Le jour naissait dans le bocage (Marie, Marquise, Sulpice) (08 min. 23 sec.) / Donizetti -- Act II: Ah, voilà vos anciennes habitudes (La Marquise, Sulpice, Marie, Hortensius) (01 min. 34 sec.) / Donizetti -- Act II: C'an est donc fait … Par le rang et par l'opulence (Marie, Chorus, Tonio) (10 min. 41 sec.) / Donizetti -- Act II: Trio: Tous les trois reunis (Marie, Tonio, Sulpice) (02 min. 43 sec.) / Donizetti -- Act II: Madame, écoutez-moi, de grâce - Pour me rapprocher de Marie (Tonio) (04 min. 49 sec.) / Donizetti -- Act II: Dialogue: Monsieur! Dans une heure on signe le contrat (La Marquise, Tonio, Sulpice, Le Notaire, La Duchesse) (02 min. 51 sec.) / Donizetti -- Act II: Dialogue: Marie, mon enfant! - Finale: Mais, ô ciel, quel bruit! (La Marquise, Marie, Sulpice, Tonio, La Duchesse, Le Caporal, Chorus) (07 min. 04 sec.) / Donizetti

Kidnapped and bound by three Ittoryu warriors, Rin is unable to warn her bodyguard Manji, the immortal swordsman, that he's heading into a trap. To make matters worse, the Itto-ryu possess a large dose of kessen-satsu, the only poison known to damage Manji's blood and severely cripple his regenerative abilities. And is Mugai-ryu assassin Giichi following Manji in order to help rescue Rin ... or will he just stick around long enough to finish off any survivors? - "Blade of the Immortal's image of pre-modern Japan might be filled with anachronism, but it is also gifted with loving detail and interesting perspective."- VOYA (Voice of Youth Advocates)

Nocturne No. 2 in E-Flat Major, Op. 9, No. 2 (arr. G. Piatigorsky for cello and piano) (05 min. 23 sec.) / Chopin -- Nocturne in C-Sharp Minor, Op. posth. (arr. G. Piatigorsky for cello and piano) (04 min. 07 sec.) / Chopin -- Etude No. 19 in C-Sharp Minor, Op. 25, No. 7 (arr. A.K. Glazunov for cello and piano) (06 min. 15 sec.) / Chopin -- Etude No. 6 in E-Flat Minor, Op. 10, No. 6 (arr. A.K. Glazunov for cello and piano) (03 min. 25 sec.) / Chopin -- Waltz No. 3 in A Minor, Op. 34, No. 2, "Valse brillante" (arr. F. Grutzmacher for cello and piano) (05 min. 48 sec.) / Chopin -- I. Allegro moderato (10 min. 59 sec.) / Chopin -- II. Scherzo: Allegro con brio (05 min. 12 sec.) / Chopin -- III. Largo (03 min. 41 sec.) / Chopin -- IV. Finale: Allegro (06 min. 43 sec.) / Chopin -- Introduction and Polonaise brillante in C Major, Op. 3 (09 min. 25 sec.) / Chopin -- Grand Duo on themes from Meyerbeer's Robert le diable in E Minor (13 min. 38 sec.) / Chopin

Thaïs, Act II: Méditation (arr. M.P. Marsick for violin and piano) (05 min. 12 sec.) / Massenet

I. Allegro assai (05 min. 33 sec.) / Guilmant -- II. Andante (04 min. 48 sec.) / Guilmant -- III. Menuetto (04 min. 58 sec.) / Guilmant -- IV. Finale (06 min. 23 sec.) / Guilmant

La Vie en rose (Sped Up) (01 min. 52 sec.) / Louiguy -- La Vie en rose (03 min. 02 sec.) / Louiguy -- La Vie en rose (Slowed + Reverb) (04 min. 16 sec.) / Louiguy

No. 1. C'est l'extase langoureuse (02 min. 37 sec.) / Holloway -- No. 2. Il pleure dans mon cœur (02 min. 57 sec.) / Holloway -- No. 3. L'ombre des arbres (02 min. 11 sec.) / Holloway -- No. 4. Green (02 min. 16 sec.) / Holloway -- No. 5. Le son du cœur s'afflige vers les bois (02 min. 44 sec.) / Holloway -- No. 6. L'échelonnement des haies (01 min. 44 sec.) / Holloway -- No. 7. Spleen (02 min. 47 sec.) / Holloway -- No. 8. Chevaux de bois (02 min. 53 sec.) / Holloway -- No. 9. Mandoline (01 min. 41 sec.) / Holloway -- No. 10. La mer est plus belle (03 min. 25 sec.) / Holloway -- Épilogue (02 min. 32 sec.) / Holloway -- No. 1. De l'aube à midi sur la mer (08 min. 50 sec.) / Debussy -- No. 2. Jeux de vagues (06 min. 50 sec.) / Debussy -- No. 3. Dialogue du vent et de la mer (09 min. 09 sec.) / Debussy

Kidnapped and bound by three Ittoryu warriors, Rin is unable to warn her bodyguard Manji, the immortal swordsman, that he's heading into a trap. To make matters worse, the Itto-ryu possess a large dose of kessen-satsu, the only poison known to damage Manji's blood and severely cripple his regenerative abilities. And is Mugai-ryu assassin Giichi following Manji in order to help rescue Rin ... or will he just stick around long enough to finish off any survivors? - "Blade of the Immortal's image of pre-modern Japan might be filled with anachronism, but it is also gifted with loving detail and interesting perspective."- VOYA (Voice of Youth Advocates)

Kidnapped and bound by three Ittoryu warriors, Rin is unable to warn her bodyguard Manji, the immortal swordsman, that he's heading into a trap. To make matters worse, the Itto-ryu possess a large dose of kessen-satsu, the only poison known to damage Manji's blood and severely cripple his regenerative abilities. And is Mugai-ryu assassin Giichi following Manji in order to help rescue Rin ... or will he just stick around long enough to finish off any survivors? - "Blade of the Immortal's image of pre-modern Japan might be filled with anachronism, but it is also gifted with loving detail and interesting perspective."- VOYA (Voice of Youth Advocates)