Opening (04 min. 06 sec.) / Not Applicable -- Robert Turner was 13 or 14 when he began to write (06 min. 03 sec.) / Not Applicable -- Every month I would write out a program (06 min. 24 sec.) / Not Applicable -- Turner produced a number of significant works (05 min. 20 sec.) / Not Applicable -- Despite the limited time he had (03 min. 50 sec.) / Not Applicable -- Without any room for discussion (05 min. 29 sec.) / Not Applicable -- By the time the British conductor, Bramwell Tovey (05 min. 12 sec.) / Not Applicable -- He used a lot of styles (03 min. 20 sec.) / Not Applicable -- I wrote a few works inspired by the Prairie (05 min. 16 sec.) / Not Applicable -- Why did you stop composing? (03 min. 20 sec.) / Not Applicable -- Opening Night, "A Theatre Overture" (09 min. 40 sec.) / Turner -- I. Allegro marziale (01 min. 55 sec.) / Turner -- II. Lento non troppo, molto tranquillo (01 min. 12 sec.) / Turner -- III. Allegro moderato, alla fantasma (01 min. 58 sec.) / Turner -- IV. Andante con moto, con molto morbidezza (01 min. 32 sec.) / Turner -- V. Allegretto stridente (02 min. 29 sec.) / Turner -- VI. Andante sostenuto, quasi ostinato (01 min. 03 sec.) / Turner -- VII. Molto allegro e capriccioso (02 min. 01 sec.) / Turner -- XII. Lento non troppo, esultante e luminoso (02 min. 40 sec.) / Turner -- XI. Tempo di valse rubato (01 min. 21 sec.) / Turner -- X. Lento cantabile, quasi corale (02 min. 50 sec.) / Turner -- IX. Allegretto vivo e fantastico (01 min. 43 sec.) / Turner -- VIII. Allegretto animado (01 min. 32 sec.) / Turner -- I. Pastorale, "Of Time and the Rivers" (07 min. 42 sec.) / Turner -- II. Folk Dance, "Ethnic Celebration" (05 min. 31 sec.) / Turner -- III. Epilogue, "Prairie sunset" (03 min. 25 sec.) / Turner -- I. Allegro con brio (08 min. 07 sec.) / Turner -- II. Andante tranquillo (10 min. 59 sec.) / Turner -- III. Allegro vivo (07 min. 16 sec.) / Turner

Sprint (07 min. 07 sec.) / Schmidt -- Chaconne (11 min. 19 sec.) / Schmidt -- Solus (11 min. 13 sec.) / Schmidt -- Star Burning Blue (07 min. 51 sec.) / Murphy -- Danse Sauvage (11 min. 53 sec.) / Bell -- I. a Purcell: Fantazia upon One Note (06 min. 48 sec.) / Forsyth -- II. a Schumann: Thumb-piano (07 min. 47 sec.) / Forsyth -- III. a Chopin: White-key Study in African mode (07 min. 55 sec.) / Forsyth

XIV. Le pont Jacques-Cartier (01 min. 17 sec.) / Marcel -- XIII. Gratte-ciel electrique (03 min. 07 sec.) / Marcel -- XII. Le pont Victoria (NaN min. NaN sec.)(57 sec.) / Marcel -- XI. Les tours des jardins (02 min. 24 sec.) / Marcel -- X. Le palais des supplices (02 min. 28 sec.) / Marcel -- IX. Les monts aux lumieres blanches (02 min. 51 sec.) / Marcel -- VIII. La boule de fer (02 min. 17 sec.) / Marcel -- VII. Les ecluses (01 min. 43 sec.) / Marcel -- VI. Le toit de la chapelle (04 min. 22 sec.) / Marcel -- V. Croix de fer noire (NaN min. NaN sec.)(46 sec.) / Marcel -- IV. L'hotel au pic vert (05 min. 43 sec.) / Marcel -- III. Points de reperes (03 min. 03 sec.) / Marcel -- XV. La lumiere qui tourne (05 min. 43 sec.) / Marcel -- II. Les grues de fer (02 min. 39 sec.) / Marcel -- I. La Cite des Anges (02 min. 57 sec.) / Marcel -- IV. Venus: Fluid, suspendu (03 min. 32 sec.) / Boudreau -- V. Terre (07 min. 11 sec.) / Boudreau -- VI. Re-Soleil (01 min. 57 sec.) / Boudreau -- VII. Mars (NaN min. NaN sec.)(43 sec.) / Boudreau -- VIII. Jupiter (05 min. 21 sec.) / Boudreau -- IX. Saturne (01 min. NaN sec.) / Boudreau -- X. Uranus (02 min. 35 sec.) / Boudreau -- XI. Neptune (02 min. 19 sec.) / Boudreau -- XIII. L'Espace, l'infini (02 min. 49 sec.) / Boudreau -- XII. Pluton (01 min. 48 sec.) / Boudreau -- III. Re-Mercure (NaN min. NaN sec.)(54 sec.) / Boudreau -- II. Le Soleil (NaN min. NaN sec.)(31 sec.) / Boudreau -- I. Mercure: Violent et contraste (01 min. 25 sec.) / Boudreau

Beginning (04 min. 46 sec.) / Not Applicable -- He uses Latvian folk music… (05 min. 16 sec.) / Not Applicable -- I was very lucky. (04 min. 26 sec.) / Not Applicable -- He certainly has French elements of Messiaen. (05 min. 07 sec.) / Not Applicable -- My parents were ardent Latvian nationalists. (04 min. 45 sec.) / Not Applicable -- One of the things I recognized… (05 min. 14 sec.) / Not Applicable -- I think that I am trying… (06 min. 23 sec.) / Not Applicable -- I am sorry to say… (04 min. 38 sec.) / Not Applicable -- He stayed in Canada… (03 min. 14 sec.) / Not Applicable -- What Tali had was craft. (05 min. 08 sec.) / Not Applicable -- For Kenins' younger son, Andy… (05 min. 58 sec.) / Not Applicable -- III. Finale: Allegro ma non troppo (03 min. 57 sec.) / Ķeniņš -- II. Andante (07 min. 02 sec.) / Ķeniņš -- I. Introduction: Sostenuto assai lento - Scherzo: Vivo (05 min. 32 sec.) / Ķeniņš -- I. Adagio - Vivace assai (06 min. 18 sec.) / Ķeniņš -- II. Andante, con variazioni (07 min. NaN sec.) / Ķeniņš -- III. Rondo: Presto (03 min. 16 sec.) / Ķeniņš -- I. Intrada: Grave quasi maestoso - Vivo et agitato (06 min. 55 sec.) / Ķeniņš -- II. Adagio molto cantabile (07 min. 25 sec.) / Ķeniņš -- III. Allegretto amabile (03 min. 42 sec.) / Ķeniņš -- I. Lento - Molto animato - Tranquillo - Lento (12 min. 45 sec.) / Ķeniņš -- II. Scherzo: Presto - Adagio con brio (11 min. NaN sec.) / Ķeniņš

Opening (05 min. 27 sec.) -- He was a ham radio operator (04 min. 57 sec.) -- I adored Norma, I just loved her (05 min. 51 sec.) -- She was the first woman composer (06 min. 35 sec.) -- Her most successful piece (05 min. 36 sec.) -- This was a whole new world (05 min. 54 sec.) -- When I was in Italy (05 min. 53 sec.) -- Norma Beecroft kept abreast of the technology (05 min. 35 sec.) -- In 1975 Norma Beecroft went back (05 min. 30 sec.) -- Norma Beecroft's catalogue isn't large (03 min. 33 sec.) -- Improvvisazioni concertanti No. 1 (07 min. 40 sec.) / Beecroft -- From Dreams of Brass (16 min. NaN sec.) / Beecroft -- Collage '76 (10 min. 40 sec.) / Beecroft -- Jeu II (08 min. 54 sec.) / Beecroft -- Accordion Play (13 min. NaN sec.) / Beecroft -- Amplified String Quartet (12 min. 44 sec.) / Beecroft

Beginning (04 min. 57 sec.) / Not Applicable -- She was born in Winnipeg on January 02, 1912 (05 min. 59 sec.) / Not Applicable -- When Pentland returned to Winnipeg in 1939 (04 min. 50 sec.) / Not Applicable -- Pentland had a rather romantic notion (06 min. 57 sec.) / Not Applicable -- I started the music department in '46 (06 min. 25 sec.) / Not Applicable -- I really got into it when I went to the MacDowell Colony (06 min. 01 sec.) / Not Applicable -- She had marked all the examination papers (06 min. 08 sec.) / Not Applicable -- We had a wonderful time together (07 min. 14 sec.) / Not Applicable -- She had a lot of modern concerns (04 min. 53 sec.) / Not Applicable -- How do you see your music as having changed? (07 min. 08 sec.) / Not Applicable -- I. Allegro animato (05 min. 02 sec.) / Pentland -- II. Largo tranquillo (05 min. 37 sec.) / Pentland -- III. Allegro giocoso (04 min. 27 sec.) / Pentland -- I. Andante (02 min. 30 sec.) / Pentland -- II. Vivace (02 min. 14 sec.) / Pentland -- III. Moderato (05 min. 48 sec.) / Pentland -- Shadows (Ombres) (04 min. 15 sec.) / Pentland -- I. Allegro (06 min. 41 sec.) / Pentland -- II. Adagio molto (05 min. 51 sec.) / Pentland -- III. Allegretto pagliaccesco (04 min. 40 sec.) / Pentland -- IV. Largo, presto (05 min. 37 sec.) / Pentland -- No. 4. Midnight among the hills (04 min. 08 sec.) / Pentland -- No. 5. The tune of the Stream (03 min. 09 sec.) / Pentland -- Interplay (14 min. 19 sec.) / Pentland -- Eventa (13 min. 28 sec.) / Pentland -- Vincula (11 min. 01 sec.) / Pentland -- Tides (13 min. 42 sec.) / Pentland -- Horizons (12 min. 53 sec.) / Pentland

Don Juan, Op. 20, TrV 156 (17 min. 22 sec.) / Strauss -- Till Eulenspiegels lustige Streiche (Till Eulenspiegel's Merry Pranks), Op. 28, TrV 171 (15 min. NaN sec.) / Strauss -- Tod und Verklärung (Death and Transfiguration), Op. 24, TrV 158 (18 min. 46 sec.) / Strauss

I. Modéré (09 min. 30 sec.) / Ravel -- II. Pantoum: Assez vif (04 min. 25 sec.) / Ravel -- III. Passacaille: Tres large (07 min. 39 sec.) / Ravel -- IV. Finale: Anime (06 min. 05 sec.) / Ravel -- I. Andante - Moderato (08 min. 03 sec.) / Shostakovich -- II. Allegro non troppo (03 min. NaN sec.) / Shostakovich -- III. Largo (05 min. 36 sec.) / Shostakovich -- IV. Allegretto (10 min. 46 sec.) / Shostakovich

I. Allegro serioso, non troppo (09 min. 05 sec.) / Kodály -- II. Adagio (09 min. 11 sec.) / Kodály -- III. Maestoso e largamente, ma non troppo lento - (08 min. 48 sec.) / Kodály -- I. Verbunkos (Recruiting Dance): Moderato, ben ritmato (05 min. 07 sec.) / Bartók -- II. Piheno (Relaxation): Lento (04 min. 32 sec.) / Bartók -- III. Sebes (Fast Dance): Allegro vivace (06 min. 48 sec.) / Bartók -- Concerto pathétique, S258/R356 (18 min. 49 sec.) / Liszt

I. Allegro moderato (17 min. 30 sec.) / Tchaikovsky -- III. Finale: Allegro vivacissimo (09 min. 40 sec.) / Tchaikovsky -- II. Canzonetta: Andante (06 min. 27 sec.) / Tchaikovsky -- Capriccio Italien, Op. 45 (06 min. 27 sec.) / Tchaikovsky